"La televisión peruana carece del conocimiento suficiente relativo al enfoque de género y por ello no lo aplica. El espíritu de la sociedad del espectáculo –por el cual todo se ve y todo se exhibe- condiciona la producción televisiva y su representación del género. Así, el noticiero espect
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áculo es vitrina para la masculinidad criminal mientras que el reality show es vitrina para la masculinidad y feminidad hegemónica. Esto no tiene frontera en cuanto a edades. Niños sicarios aparecen en los noticieros exhibiendo armas al cinto así sus rostros sean ocultos. Salvo excepciones, niños participantes de concursos son seleccionados más que por talento, en razón a sus atributos de seducción erótica, produciéndose una temprana hipersexualización. La hipersexualización se haya presente en la mayor parte de programas, subrayando por encima de otras, las características corporales de los personajes televisivos protagonistas de shows en vivo y reduciendo a la persona a estas características." (Conclusiones, página 19)
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"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
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n contrast, Peru and Ecuador had the lowest offer of national fiction hours, while Uruguay did not produce hours of national fiction during 2014." (Page 39)
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"The report examines the links between the media’s promotion of unequal gender power relations based on stereotypical images of men and women and men’s expressions of dominance, control and violence in their everyday relationships with women and girls. It also explores media representations of m
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en and women in decision-making and leadership roles. Finally, it identifies the factors that support or constrain media professionals in promoting gender equitable masculine images and profiles selected mass media programmes that endeavour to reflect and promote gender equality." (Executive summary)
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"O Programa Para Fortalecimento da Mídia, nesta sua terceira edição do relatório de Análise de Género na Mídia Moçambicana, avaliou 13 jornais impressos e electrónicos para identificar o estado da cobertura sobre o tema. Foram quatro a mais que no ano passado. No total, e em números absolu
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tos, 94 peças foram identificadas em 2013. Em 2014, foram 139 reportagens e notícias. Proporcionalmente, considerando o aumento do número de jornais analisados, houve um crescimento de 24% no total de peças publicadas. Dois factores combinados indicam que as questões de género estão sendo tratadas pelos jornalistas de maneira mais sistêmica, ou seja, como um problema nacional e não apenas de algumas localidades. No que diz respeito à abrangência geográfica dos conteúdos, em 2014, o total de peças de caráter nacional mais que triplicou. O segundo factor é que dos quatro critérios observados através da Ferramenta de Análise de Conteúdos (MCAT), utilizada pela IREX, Relevância e Estrutura das peças atingiram o nível quatro, ou bom. Até 2013, a pontuação havia chegado apenas no nível três, aceitável. O aumento no número de artigos classificados pela equipe de monitoria e avaliação da IREX foi de 73%, o que exigiu uma revisão metodológica para dar uniformidade comparativa às 139 peças, das quais 66 foram escolhidas para a análise de conteúdo, com base em critérios objectivos. Há ainda avanços que vão muito além dos números. Tendo em conta o funcionamento das redacções dos jornais, este relatório é um indicativo importante de que houve um amadurecimento na abordagem dada pelos jornalistas ao assunto. Repórteres e editores parecem lançar um olhar mais integrado, no contexto do que o tema representa para o país como um todo, ainda que seja necessário investir cada vez mais para melhorar aspectos como diversidade de fontes e imparcialidade." (Página 3)
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"This study explores the spatial politics of Othering and whether women are marginalized in political conversations online in India. It's methodology consists of an analysis of 23,350 tweets over an eight-day period. It shows a significant underrepresentation of women in Twitter's political conversa
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tions, which mirrors a real-world marginalization of women in India's political processes." (Abstract)
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"This article examines German public service broadcasting and its message for African female audiences. It situates the activities of Deutsche Welle (DW) within public diplomacy theory and analyses the content of DW's Learning by Ear series, which is geared towards young African women. The article i
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nvestigates DW's view on gender and education in Africa and positions the broadcaster's activities within the broader context of the German and European Union's (EU) development assistance to the continent. Through critical discourse analysis, the article examines the broadcaster's perception of Africa. It argues that DW constructs a flattened, reductionist and often incorrect image of Africa. In its stories, Africa is depicted as a continent of harmful traditions that need to be abandoned, gender-biased schooling practices which are a product of regressive African communities, and women who are voiceless and powerless. The article concludes that although well intended, DW fails to grasp the complexities of African realities. Its broadcasts emerge as a series of culturally insensitive programmes that perpetuate well-worn stereotypes. Supported by Germany's Federal Foreign Office and designed to dispose of ‘backward’ African traditions to make space for the ‘new’ and the ‘modern’, the Learning by Ear series echoes the language of the mission civilisatrice of Africa's imperial past – something that contemporary development discourse has significantly moved away from." (Abstract)
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"The 59 chapters in this volume, written by leading researchers from around the world, provide scholars and students with an engaging and authoritative survey of current thinking in media and gender research.The Companion includes the following features: With each chapter addressing a distinct, conc
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rete set of issues, the volume includes research from around the world to engage readers in a broad array of global and transnational issues and intersectional perspectives.Authors address a series of important questions that have consequences for current and future thinking in the field, including postfeminism, sexual violence, masculinity, media industries, queer identities, video games, digital policy, media activism, sexualization, docusoaps, teen drama, cosmetic surgery, media Islamophobia, sport, telenovelas, news audiences, pornography, and social and mobile media." (Back cover)
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"In Indien wirft das Thema Eheschließung Fragen individueller und kultureller Identität im Spannungsfeld von gesellschaftlichem Wandel und Kontinuität auf. Am rasant wachsenden indischen Online-Heiratsmarkt lassen sich diese Fragen besonders eindrücklich im Zusammenhang mit der Medienentwicklung
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diskutieren. Die Autorin beschreibt die gleichzeitig global ausgerichteten, aber als ‚indisch‘ konnotierten Online-Heiratsmärkte und zeigt, wie sich diese in die Ausdifferenzierungsprozesse der indischen und transnationalen Medienlandschaft einfügen. In einem zweiten Schritt stellt sie Konzepte von Weiblichkeit und Ehe vor, die diese Portale transportieren, und analysiert den Umgang der Nutzerinnen mit den Erwartungen und Rollenklischees, die Familie und Gesellschaft an sie herantragen." (Verlagsbeschreibung)
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"In the wake of the transformation from a socialist to a neoliberal capitalist economy, Tanzania has witnessed an unprecedented proliferation of cultural production which went hand in hand with a steep rise in formal and informal media outlets. Bongo Media Worlds provides insights into the diverse a
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nd creative practices of producing and consuming popular media in Dar es Salaam, the country’s cultural capital. ‘Bongo’, an augmentative form of the Swahili noun ‘ubongo’ meaning ‘brain’, is the popular nickname for Dar es Salaam and by extension the whole of Tanzania: One has to use one’s brains to survive in the city. The term ‘bongo’ has therefore come to encapsulate the notion of creativity and the readiness for improvisation born out of circumstance and necessity. It mirrors a positive self-image of Dar es Salaam’s inhabitants and the citizens of urban Tanzania at large. The spirit of ‘bongo’ is also manifest in Dar es Salaam’s vibrant media landscape and its inhabitants – the producers and consumers of the various forms of popular media culture." (Back cover)
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"This is the first collection to de-Westernize the scholarship on women, politics and media by: 1) highlighting the latest research on countries and regions that have not been ‘the usual suspects’; 2) featuring a diverse group of scholars, many of non-Western origin; 3) giving voice through pers
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onal interviews to politically active women, thus providing the reader with a rare insight into women's agency in the political structures of emerging democracies. Each chapter examines the complex women, politics and media dynamic in a particular nation-state, taking into consideration the specific political, historic and social context. With 23 case studies and interviews from Latin America, sub-Saharan Africa, the Middle East and North Africa, Central and Eastern Europe, Asia, Russia and the former Soviet republics, this volume will be of interest to students, media scholars and policy makers from developed and emerging democracies." (Publisher description)
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"Argues that media — whether traditional or online — matters a great deal in the lives of girls in the developing world. It matters because it has the ability to be harmful to girls’ interests and selfesteem, and it matters because it can also be so effective in playing a positive role in girl
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s’ lives. Specifically, media can influence girls’ aspirations and behaviours around their health and livelihoods, open the door to greater participation in society and ensure that girls’ issues move higher up the public agenda. If challenges around media access and control are addressed head on and girls come to be valued as an audience, then media can play a vital role in helping to advance the well-being of adolescent girls in regions of the world where their interests have traditionally been most neglected." (Introduction)
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