"All human and social activity depends on communication. No matter the issue — poverty, conflict resolution, self-determination, migration, health, land, housing, the climate crisis — little can be done without effective communication. A framework is needed that enables, empowers, and transforms
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; that challenges power structures and sociocultural traditions to guarantee the public voices and genuine participation of everyone — especially poor, marginalized, excluded and dispossessed people and communities. Such a framework is offered by the concept and practice of communication rights. Since communication clearly underpins genuinely sustainable development and requires equitable access to information and knowledge, to information and communication technologies, as well as plurality and diversity in the media, this book identifies the missing UN Sustainable Development Goal 18: Communication for All, whose purpose is to expand and strengthen public civic spaces through equitable and affordable access to communication technologies and platforms, media pluralism, and media diversity." (Back cover)
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"To attain gender equality as a long-term objective, a multi-layered strategy and action is required. In that process, media are a part of the problem, as well as they are a part of the solution. While it has been well established that media organizations can play an influential role in contributing
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to transformation and change in society, they also reflect the forms and patterns of prevailing societal values. In brief, by supporting media, USAID can further the implementation of gender-specific objectives through a dual-track approach that focuses on (1) improving the enabling environment for female journalists; and (2) facilitating production and dissemination of gender-sensitive content implemented through “media for development” and/or “media development” program strategies." (Recommendation, page 19)
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"Comparing Gender and Media Equality across the Globe addresses longstanding questions in the study of gender equality in media content and media organisations across countries and over time. Drawing on data from the Global Media Monitoring Project (GMMP), European Institute for Gender Equality (EIG
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E), and the International Women’s Media Foundation (IWMF), this book offers new insights into the qualities, causes, and consequences of gender equality in and through the news media. The book contributes to the critical discussion on gender and journalism, showing that the news media do not reflect reality when it comes to the actual progress of gender equality in societies across the globe. The study aims to inspire future research by making existing data on gender and news media equality available to the global research community. The book presents the GEM-dataset, comprising hundreds of indicators on media and gender equality, and the GEM-Index, an easy to use measure to keep track of key aspects of gender equality in television, radio, newspapers, and online." (Publisher description)
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"Online spaces are being systematically weaponised to exclude women leaders and to undermine the role of women in public life. Attacks on women which use hateful language, rumour and gendered stereotypes combine personal attacks with political motivations, making online spaces dangerous places for w
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omen to speak out. And left unchecked, this phenomenon of gendered disinformation, spread by state and non-state actors, poses a serious threat to women’s equal political participation. In this research, we investigated state-aligned gendered disinformation in two countries, Poland and the Philippines, through an analysis of Twitter data. We analysed tweets in Polish and, from the Philippines, in English." (Executive summary)
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"This guide aims to equip media organisations and professionals with the necessary tools and insights to increase gender balance in their content. It should help you to: understand the importance of gender balance in content; identify the different ways in which the media gender stereotypes; underst
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and how to avoid gender stereotyping; develop organisational strategies to improve gender balance in content; identify suitable metrics and tools to track their progress; learn from successful initiatives that have been implemented by other news organisations." (Page 3)
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"This report was commissioned by the Bill & Melinda Gates Foundation to examine women’s representation in COVID-19/coronavirus newsgathering and news coverage in India, Kenya, Nigeria, South Africa, the UK, and the US. It is rooted in a computational news content analysis of 11,913 publications an
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d 1.9 million stories between 1st March and 15th April 2020 undertaken by Media Ecosystems Analysis Group; an in-depth qualitative portrayal analysis of 175 highly ranked COVID-19/coronavirus stories across the six countries; quantitative analysis of eight public-facing bespoke Google surveys, as well as multi-country secondary surveys; a pronoun content analysis of COVID-19 headlines; story frames analyses using Google’s news search engine, the Internet TV News Archive in 2020 and the GDELT Project global online news archive for 2017 to 2020; and interrogation of a number of global statistical databases [...] The report has examined the news coverage of the COVID-19/coronavirus story through the lenses of three indicators of gender equality: women as sources of news expertise; news stories leading with women protagonists; and coverage of gender equality issues. The insights from the report have led to the creation of 21 recommendations which aim to support news providers who wish to amplify the substantially muted voices of women in news coverage of the COVID19/coronavirus story. The report has uncovered a substantial bias towards men’s perspectives in the newsgathering and news coverage of this pandemic across both the global north (the UK and US) and the global south (India, Kenya, Nigeria and South Africa). This bias operates against a backdrop of women’s effective political invisibility within the COVID-19-related decision-making process in the countries analyzed and the unique socioeconomic, health and psychological challenges that women face globally. Every individual woman’s voice in the news on COVID19 is drowned out by the voices of at least three, four, or five men. The women who are given a platform in the COVID-19/coronavirus story are rarely portrayed as authoritative experts or as empowered individuals but more frequently as sources of personal opinion or as victims/people affected by the disease." (Executive summary)
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"This rapid literature review explores the role that media in the Western Balkans plays in issues of gender (in)equality. The countries discussed are Albania, Bosnia and Herzegovina (BiH), Croatia, Kosovo, North Macedonia, Montenegro, Serbia [...] While there is a body of literature that discusses a
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ccess of men and women to media spaces (e.g. airtime and news headlines) and moreover media portrayals of gender groups within the region, there is very limited research on barriers to gender equality within the media sector itself and on media initiatives aimed at promoting gender equality. As such, the barriers section in this report also draws on discussion of gender equality in the region generally; and on issues with the media in the region generally. There are implicit linkages that can be made, however. For example, the persistence of gender inequality and traditional patriarchy throughout the region influences how the media operates and in turn is reflected in the media ..." (Summary, page 2)
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"Various terms are in use to describe violent, bullying, demeaning, or otherwise antagonistic expressions on social media platforms. Hate speech is common, but also not limited to the online world. While it does signal that these expressions are speech acts, and therefore, as we maintain, performati
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ve, the reference to ‘hate’ does not always seem justified. While many different motivations and affects can be involved, and hatred on the part of the sender is surely one of them, other motivations exist too (as considered for instance in chapters two, three and seven). The term is thus both too broad and too narrow in its seeming attribution of motives. Feminist scholar Emma Jane has introduced the term ‘e-bile’, which is useful, but particularly designed for the specific category of misogynist and objectifying comments addressed to women online. We propose online vitriol as a term to think about this phenomenon, because it stresses both the violent and the uncontrollable aspects of the phenomenon and its typical excesses, such as shitstorms, and speech acts that silence, threaten, or harm others [...] Online vitriol seems to be a particular product of the Web 2.0, the ‘participatory’ or ‘social web’ that has evolved since the early twenty-first century, and that revolves around ‘user-generated content’ and conceives of the web as a space of interaction, rather than a collection of static sites where one can read information. The term ‘Web 2.0’ was coined in 1999 by Darcy DiNucci in an article prophetically titled ‘Fragmented Future’. Fragmentation does indeed seem to be one of the key aims and effects of online vitriol enabled by the interactive structure of social media platforms. In recent years particularly, online vitriol has come to serve political powerplay, with actors often operating from a stance of victimhood and supposed powerlessness, while at the same time attracting considerable attention, visibility and influence." (Pages 13-14)
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"As the United States engages with the Taliban in a peace process that might return them to influence within Afghanistan, concerns are rising regarding the future status of Afghan women. In this background, this article returns to the much studied subject of the portrayal of Afghan women in Western
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news media through Orientalist stereotypes. Noting the lack of Afghan perspectives in previous research on this topic, the study investigates the views and practices of Afghan photojournalists, who have today come to replace international photojournalists in the country, when it comes to ‘picturing Afghan women’ for Western audiences. It sheds light on the day-to-day professional activities of these photojournalists when producing images of Afghan women for Western audiences. It goes on to explore Afghan photojournalists’ perceptions about how Afghan women have been and are being portrayed in Western news media. Finally, it reports on how most of these Afghan photojournalists may perpetuate the same stereotypes about Afghan women for Western audiences because hierarchies in the international ‘visual gatekeeping chain’ supersede the Afghan photojournalists’ power to shape visual narratives and coupled with the need to earn an income as precarious labor, their individual self-reflexivity regarding picturing Afghan women are suppressed. The study also notes how photographing Afghan women causes risks for Afghan photojournalists as well as the Afghan women who are photographed. Attention is called to this hitherto invisible ethical concern that lives are jeopardized to validate Western savior narratives regarding Afghan women through images." (Abstract)
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"Journalism in Turkey has an ambivalent characteristic. On the one hand, the social demand for genuine journalism has increased, and on the other hand, news has turned into a tool within the polluted political polarization atmosphere. In the age of fake news and post-truth, practices of journalism i
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n Turkey both contain significantly striking examples of how media professionals overcome the barriers and also give some clues about the changing nature of journalism. The book examines the deep crisis mainstream media experience in Turkey. New-born media institutions, alternatives, their start-up strategies, and transformation of journalism field are scrutinized by qualitative and quantitative methods. The book aims to present a current picture of journalism in Turkey by underlining both historical continuities and breaks from the tradition." (Back cover)
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"Corrupt practices, political financing and institutionalised patriarchal systems have seen the media fail to provide equitable coverage of women’s issues or indeed include women as decision-makers organisationally. Both the audience and media stakeholders are acutely aware of the lack of ethical
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practice by the media and both are attuned to how this has become gendered in prevailing conditions of economic failure, conflict and weak governance in Iraq. The overall mood was one of pessimism from all stakeholder groups about the current state of and prospects for the media in Iraq. The lack of opportunity in a non-meritocratic society such as Iraq both generates and sustains the prevalence of highly gendered policies and practices across the Iraqi media landscape. This is seen in both stakeholder groups: media stakeholders were likely to disparage their female colleagues; audiences were likely to reject female depictions that they felt were not representative of all Iraqis. Traditional and religious attitudes dominated much of the discussions and many of the challenges facing women and women journalists were attributed to these fixed mind-sets. Again, both stakeholder groups were in agreement that employment rituals and practices were shaped by patriarchal perceptions of a women’s role in traditional societies." (Conclusions)
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"The study calls for the formal recognition of faith-based media in Senegal and Niger. It also suggests to the different stakeholders such as the Government, regulatory bodies and the civil society, women's rights organizations, to take a series of measures and actions to strengthen the regulation o
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f religious discourse, for more social harmony but especially for a more gendered media environment." (Publisher description)
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"En général, l’étude plaide la reconnaissance formelle des médias confessionnels au Sénégal et au Niger. Elle suggère également aux différents acteurs que sont l’Etat et les organes de régulation et à la société civile notamment aux organisations de défense des droits des femmes, l
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’adoption de certaines mesures et actions pour renforcer la régulation du discours religieux, pour plus de cohésion sociale mais surtout pour un environnement médiatique plus genré." (http://panosmedia.org)
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"When we think about the "pictures in our heads" that media create and perpetuate, what images are we truly referencing? Issues of media stereotypes and representation (both past and present) are crucial to advancing media literacy. 'Media Stereotypes: From Ageism to Xenophobia' becomes one-stop sho
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pping for synthesizing what we know within the composite of stereotyping research in the United States." (Publisher description)
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"How do videos, movies and documentaries dedicated to indigenous communities transform the media landscape of South Asia? Based on extensive original research, this book examines how in South Asia popular music videos, activist political clips, movies and documentaries about, by and for indigenous c
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ommunities take on radically new significances. Media, Indigeneity and Nation in South Asia shows how in the portrayal of indigenous groups by both 'insiders' and 'outsiders' imaginations of indigeneity and nation become increasingly interlinked. Indigenous groups, typically marginal to the nation, are at the same time part of mainstream polities and cultures. Drawing on perspectives from media studies and visual anthropology, this book compares and contrasts the situation in South Asia with indigeneity globally." (Publisher description)
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"El análisis hecho en esta investigación de los distintos personajes protagónicos femeninos de los cuatro relatos seleccionados [Dina Paucar, la lucho por un sueño; Por la Sarita; Las reinas de las carrefillas; Amor de Madre], me permite señalar que las representaciones femeninas que nos ofrece
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n estos productos culturales del siglo XXI evidencian continuidades importantes pero también transformaciones y rupturas respecto a los modelos femeninos asociados al marianismo y la domesticidad; transformaciones y rupturas, que permiten visibilizar una pluralidad de representaciones femeninas conviviendo en el tiempo actual y que nos hablan de contextos de tensión y de conflicto. Este hallazgo también me permite confirmar que los mandatos de género operan de manera diferenciada en tiempos y espacios sociales diferentes. No encontramos en esta investigación personajes que se ajusten íntegramente al modelo mariano, por ejemplo, aunque sí mantienen algunas características importantes de este, como la maternidad. Un hallazgo importante de esta investigación es que la maternidad permanece como un hecho importante –diría fundante- en la definición misma de la identidad femenina y de las diversas representaciones televisivas melodramáticas, sin embargo, no es la única: aparecen las saberes domésticos aprendidos desde la infancia en el hogar familiar, saberes que se transmiten de madres a hijas –costura, cocina, canto-; los estudios y el trabajo en la esfera pública como ejes importantes que complejizan las representaciones que, de las mujeres, hacen estos relatos audiovisuales. La representación de lo femenino continua presentando a estas mujeres como responsables, amorosas, maternales, sin embargo, la pasividad y la sumisión –condiciones del pasado para la heroína de los melodramas televisivos- cuando aparecen, son solo lugares de inicio de la representación que se van transformando en agencia y empoderamiento, a partir de experiencias que fortalecen a nuestras protagonistas." (Conclusiones, página 206)
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"This handbook provides guidance, tools and promising practices from countries across the globe for those working with and within media. It is our intention that this handbook provides entry points for accelerating progress towards gender equality in the systems and structures of organizations. We h
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ope that it leverages what we know works in order to promote the values of diversity, equality and non-violence in the content that media produces." (Foreword)
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"The Handbook showcases IAWRT members’ experiences and best practices for working towards advancing gender equality in and on the media in Kenya, South Africa,Tanzania, India and Uganda." (Publisher description)
"Through a content analysis of 532 programs screened on various national television networks in Colombia, this paper examines portrayals of women in the country’s narconovelas, fictional series derived from the telenovela genre that resonate forcefully with the public. We do so in order to gain a
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better understanding of their role in representing gender in Colombia. Relevant topics include: the widespread violence against women in a traditional, patriarchal country, the ineffectiveness of policies targeting gender discrimination, and ideologies of machismo and Marianismo. These practices are discussed as factors that may prevent women’s social empowerment and participation in the workforce and politics of the country. Our results show that, as per Colombia’s prevailing social relations, narconovelas demonstrate a gendered power imbalance and mestizo heteronormativity via macho plots that glamorize violence against women. Women are rarely key characters in narconovelas, and when they appear, they are dependent on men, and attain status through men or their families. In addition, the genre represents continuous verbal and physical aggression against women, especially if they belong to ethnic or racial minorities." (Abstract)
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