"While we might blame news audiences for their short-lived engagement with foreign crises, their reactions are far less surprising when we look carefully at what news stories truly communicate to readers. As illustrated above, the subtle lessons the news media teach audiences about foreign crises wo
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rk together to suggest that there are few, if any, solutions to foreign suffering and the solutions that have been implemented do not work very well. By way of comparison, the media suggest that national crises, such as Hurricane Katrina, can and will be effectively addressed by responsible governments and engaged publics. Given these patterns in news discourse, it is no surprise that Americans engage superficially with the topic of distant suffering.… Journalists could begin to change the way foreign crises are covered and present better coverage of solutions by actually asking victims on the ground what they think rather than relying on political leaders and charitable groups for facts and quotes. For instance, despite many stories on al-Shabaab, none included any comments by Somalis themselves on what could be done to stop the group, and only a very small number of victim comments explicitly addressed causes or solutions. While several pieces stated that the famine was caused by drought, no Somalis were ever quoted regarding what government policies or international interventions might have lessened the severity of future droughts." (Conclusion)
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"Suzanne Franks discusses how the visually dominated storytelling of famines in Africa distorted the causes of famine and therefore obscured the most effective solutions. As journalists struggled to document the depths of human suffering, humanitarian communication in these early stages raised compa
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ssion, concern, and actions of all sorts, but also helped to extend the conflicts and misled global publics by offering simple explanations for complex circumstances. In addition, it left in its wake a legacy, and a visual convention of stereotypic imagery, of The Starving African; anonymous, vulnerable, powerless, and forever waiting for food from the West." (Introduction to part 4, page 186)
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"This study examines media coverage of the 2011–2012 famine in Somalia by the websites of BBC News, CNN and Al-Jazeera. Using a combination of quantitative and qualitative content analyses, it explores why coverage of the famine began as late as it did, despite ample evidence of its inevitable unf
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olding, as well as the manner in which the famine was explained in popular news accounts. The study surveys famine-related news reports for evidence of four paradigms present in the current literature on famine and its causes, through which the famine could have been understood: as a Malthusian competition between population and land; as a failure of food entitlements; as critical political event; and as an issue of criminality. The findings include an overwhelming reliance on Malthusian explanations of famine, and noticeable under-reporting of the famine – despite ample evidence – until it was formally declared as such by the United Nations." (Abstract)
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"This paper provides one of the first studies on the role of social media in articulating individuals’ experiences and memories and (re-)shaping collective memory in contemporary China. It investigates how social media enable and facilitate the participation of ordinary citizens in distributing an
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d accumulating alternative narratives and memories of the past against the authoritarian version by taking the debate over China’s Great Famine – a topic long considered a political taboo – on Sina Weibo, one of the country’s most popular social media sites, as the case study. This study demonstrates that weibo provides people with an alternative communicative sphere for sharing previously suppressed, marginalised, “unofficial” memories as civil disobedience and accumulating them into an alternative collective memory that is relevant to the changing socio-political context of China." (Abstract)
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"This dissertation examines media coverage of the 2011-2012 famine in Somalia by the websites of BBC News, CNN and Al Jazeera. Using both quantitative and qualitative content analyses, it asks why coverage of the famine began as late as it did, despite ample evidence of the coming famine. It further
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surveys the famine--related news reports for evidence of four paradigms through which the causes of famine can be understood; as a Malthusian competition between population and land, as a failure of food entitlements as conceived of by Sen (1981a), as critical political event (Edkins, 2004), or as an issue of criminality (Alex de Waal, 2008). Findings include a dramatic silencing of victim’s accounts of famine, despite a reliance on their photographic images, as well as an overwhelming preference for Malthusian accounts of the famine. Late media coverage is explored via a new-values paradigm which links the sudden outburst of media coverage for the famine to a formal UN declaration, and suggests that this may have created a new elite-relevance to the event which did not exist before, and therefore making it of relevance to domestic publics." (Abstract)
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"The media reporting of the Ethiopian Famine in 1984-5 was an iconic news event. It is widely believed to have had an unprecedented impact, challenging perceptions of Africa and mobilising public opinion and philanthropic action in a dramatic new way. The contemporary international configuration of
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aid, media pressure, and official policy is still directly affected and sometimes distorted by what was - as this narrative shows - also an inaccurate and misleading story. In popular memory, the reporting of Ethiopia and the resulting humanitarian intervention were a great success. Yet alternative interpretations give a radically different picture of misleading journalism and an aid effort which did more harm than good. Using privileged access to BBC and Government archives, Reporting Disasters examines and reveals the internal factors which drove BBC news and offers a rare case study of how the media can affect public opinion and policymaking. It constructs the process that accounts for the immensity of the news event, following the response at the heart of government to the pressure of public opinion. And it shows that while the reporting and the altruistic festival that it produced triggered remarkable and identifiable changes, the on-going impact was not what the conventional account claims it to have been." (Publisher description)
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"From outbreaks of the flesh eating viruses Ebola and Strep A, to death camps in Bosnia and massacres in Rwanda, the media seem to careen from one trauma to another, in a breathless tour of poverty, disease and death. First we're horrified, but each time they turn up the pitch, show us one image mor
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e hideous than the next, it gets harder and harder to feel. Meet compassion fatigue--a modern syndrome, Susan Moeller argues, that results from formulaic media coverage, sensationalized language and overly Americanized metaphors. In her impassioned new book, Compassion Fatigue, Moeller warns that the American media threatens our ability to understand the world around us. Why do the media cover the world in the way that they do? Are they simply following the marketplace demand for tabloid-style international news? Or are they creating an audience that as seen too much--or too little--to care? Through a series of case studies of the Four Horsemen of the Apocalypse--disease, famine, death and war--Moeller investigates how newspapers, newsmagazines and television have covered international crises over the last two decades, identifying the ruts into which the media have fallen and revealing why. Throughout, we hear from industry insiders who tell of the chilling effect of the mega- media mergers, the tyranny of the bottom-line hunt for profits, and the decline of the American attention span as they struggle to both tell and sell a story. But Moeller is insistent that the media need not, and should not, be run like any other business. The media have a special responsibility to the public, and when they abdicate this responsibility and the public lapses into a compassion fatigue stupor, we become a public at great danger to ourselves." (Publisher description)
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"Frederick Forsyth reveals how he resigned from the BBC to report from Biafra - and attack the British government. Jonathan Dimbleby describes the risks he took in filming 'The Unknown Famine' - which toppled an emperor. Mohamed Amin and Michael Buerk tell how their last-minute partnership in Ethiop
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ia created the harrowing film which so moved Bob Geldorf. 'News out of Africa draws on these and other first-hand accounts of reporting famine to explore the random and often accidental way in which news is selected; the exploitation of the media by both individuals and governments, missionaries and revolutionaries; the distrubing implications of television's increasing dependence on satellites and electronic news gathering." (Back cover)
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