"This research applies econometric modelling techniques to examine the economic contribution of fixed and mobile broadband as well as digitization around the world. Building on a series of studies published by the ITU Telecommunication Development Bureau (BDT) it provides significant evidence on the
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economic importance of ICT. The findings underscore the critical role of ICT in driving future global economic growth. As digital infrastructure continues to expand, new opportunities emerge for innovation, productivity, and inclusion. While the pace of growth has moderated, the ICT sector remains a fundamental pillar of economic transformation, with ongoing advancements in connectivity and technology expected to sustain its long-term impact. The initial surge in broadband service adoption, driven by the pandemic, has since slowed. However, the adoption of these services is still progressing, fuelled by increasing service coverage and affordability. A significant driver of the ongoing increase in broadband adoption has been the reduction in service prices. Maintaining this affordability will be crucial for sustaining the upward trajectory of ICT adoption worldwide. The confirmed economic benefits of ICT underscore the importance of policy measures aimed at bridging the digital divide. To achieve this, it is relevant to implement initiatives that reverse the decline in capital spending and stimulate investment, ensuring the continuous expansion of infrastructure." (Foreword)
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"This report looks at the implications for the Creative Economy of the rapid changes in automated technology and advanced internet communication that came to be known as Industry 4.0. Conservative estimates put the Creative Economy’s contribution to global gross domestic product at about 3 per cen
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t, roughly in line with its contribution to world trade. This contribution is expected to be strengthened by a surge in digitalization and advanced technologies that characterise Creative Industry 4.0. Among the many observations that this report makes, ones that are important from the perspective of sustainable and inclusive development especially that of small developing countries are that: (1) Creative Industry 4.0 can speed-up the transfer of technology; (2) the size of the domestic market will no longer be a limit when it comes to developing a product; (3) new niche market opportunities are emerging. Another key observation is that the availability of adequate technology is not sufficient; it must be made available to stakeholders. The report highlights a series of policy options aimed at harnessing the potential of Creative Industry 4.0 for economic and social development." (Abstract)
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"The results of the study indicate that copyright industries make a significant contribution to the national economy of Botswana. In 2016, these industries contributed 5.46 per cent to value added and 2.66 per cent to the total labor force; meanwhile, in foreign trade they contributed 1.28 per cent
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to exports and 3.47 per cent to imports, yielding a negative trade balance of 1,988.80 million Botswana Pula, as imports exceeded exports by this amount [...] The contribution of the copyright industries in Botswana compares well with that of other countries, especially in Africa, that have undertaken similar studies. They contribute 5.46 per cent to value added compared to 11.1 per cent in the USA, which is the global highest. In Africa, Botswana’s contribution is the highest, followed by Kenya’s at 5.3 per cent. In terms of employment, the highest contribution is 11.1 per cent in the Philippines and the lowest is 1.9 per cent, in Ukraine, while Botswana’s contribution stands at 2.66 per cent. Compared to other African countries, Botswana contributes the least to employment." (Executive summary, page 7)
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"The survey establishes that from 2010 to 2014, copyright industries in Ecuador experienced rapid growth and increased their share of GDP from 3.65 per cent to 4.47 per cent, or 3,116 million US dollars in monetary terms. In 2014, the creative sector generated 3.47 per cent of national employment (2
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40,497 jobs), a decline from the 4.03 per cent generated in 2010. During this period, Ecuador remained a net importer of creative goods and services. While the Ecuadorian economy expanded during this period by 23.5 per cent, the valueadded in constant prices generated by the creative sector rose by 51 per cent, suggesting a sustained positive trend and considerable growth. The largest contribution was generated by the core copyright industries, which accounted for 57 per cent of the total value-added by the sector and themselves grew by 76.3 per cent, cementing their status as the most dynamic component of the creative sector. Among the core copyright industries, the main drivers were software and databases (33.8 per cent with a growth rate of 196 per cent), followed by advertising services (32.1 per cent with a growth rate of 102.5 per cent). The traditionally strong publishing industry (press and literature) saw its share decrease from 30.3 per cent to 16.8 per cent, but remained the largest employer in the creative sector with 28 per cent of total employment, followed by advertising (17 per cent), software (12 per cent) and radio and television (11 per cent). Collecting societies experienced remarkable growth – 215.3 per cent – in the collection and distribution of copyright royalties." (Executive summary, page 7)
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"La cultura es la riqueza de los pueblos que defienden su identidad y que tratan de reinventarse en un mundoglobalizado, multicultural y diverso. Es imprescindible, pues, impulsar la reflexión sobre el papel de la cultura en su desarrollo. Esta segunda edición del estudios "Cultura y desarrollo ec
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onómico en Iberoamérica" aborda el efecto de la cultura en el desarrollo económico de nuestros paÃse, y llega a una conclusión impactante: los aportes de la cultura al desarrollo económico de los paÃses son muy superiores a los presupuestos que los mismos paÃses beneficiados invierten en el desarrollo de la cultura. Finalmente, el estudio pon en relieve que aún falta mucho camino por recorrer para que todos los paÃses lleguen a destinar al menos el 1% de su presupuesto a la inversión cultural, tal como se aprobó en la Conferencia de Ministros de Cultura celebrada en Chile, en Julio de 2007." (Tapa posterior)
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"In 2003 WIPO published common guidelines on carrying out such research throughout the world. This methodology outlines four groups of copyright industries, identified on the basis of their level of dependence on copyright material. It establishes a set of major indicators – contribution to GDP, e
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mployment and foreign trade, and lays out research standards and approaches. The WIPO guidelines were developed on the basis of best international practices reviewed by an expert group of renowned economists. The guidelines have been implemented in over 40 countries around the world (30 studies have been completed and published) and their improvement continues with the experience gained. The present analysis is built on data from 30 national studies which have been finalized until December 2011. The analysis seeks to present the available data in a unified manner in order to facilitate further research and investigation in this area. The data matrix that has been created enables constant update of the overview of results from country studies and the presentation of the variables surveyed. Currently the data base includes over 60 variables, including data from other relevant sources that enhance reporting and analysis on the subject matter. The analysis and conclusions contained in this document present an overview of the performance of the copyright industries in selected countries in terms of macroeconomic indicators, compares this performance with other economic indicators and analyses the structure of this economic contribution, outlining trends and patterns in a comparative perspective." (Page 1)
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"Based on the study estimates, the total contribution of CBIs to the Bhutanese economy in 2008 was 5.5% of GDP or Nu.3,009 million; 10.1% of total employment or 25,215 persons; 4.0% of total exports or Nu. 912.4 million; 6.9% of total imports or Nu.1,604.8 million. The contribution of CBIs to GDP wa
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s only Nu. 648.8 million or 2.8% in 2001, but it increased almost fivefold by 2008. In other words, CBIs grew at a rapid pace of about 21.3% per annum, outperforming the national economy, which grew at 9.0% during the period. Interestingly, each of four CBI groups surpassed the national growth rate during this period. The core and interdependent CBIs grew the fastest at 123% per annum, followed by the non-dedicated support industries at 14.5%. The high rate of growth of core CBIs during this period is due to the low base of growth. Prior to the year 2000, the main core CBIs such as printing press, literature, films, TV and cable TV, IT and IT-enabled services hardly existed. Their significant growth took place only after the year 2000. Given the unique structure of the Bhutanese economy and the differing growth among CBI groups, the partial CBIs are relatively more significant in Bhutan. The core and partial CBIs accounted for an overwhelming 75% of the total CBI share of GDP in 2008. This is because many of the core and partial CBIs flourished due to economic liberalisation, which became more systemic, especially after 2005. This is also due to the promotion of cultural tourism. The core CBIs accounted for about 34%, partial contributed 41%, non-dedicated support industries accounted for 14%, and the interdependent CBIs 11% of the total value added of CBIs. The relatively small share of the interdependent CBIs is due to the weak manufacturing base in Bhutan." (Executive summary, page 5-6)
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