"Welche Auswirkungen hat der Angriffskrieg, den Russland seit Februar 2022 gegen die gesamte Ukraine führt, auf den Alltag und das Leben Einzelner? Dieser Frage ging die deutsch-amerikanische Illustratorin Nora Krug im Laufe einer einjährigen Korrespondenz mit einer ukrainischen Journalistin und e
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inem russischen Künstler aus Sankt Petersburg nach. Die daraus entstandenen illustrierten Berichte im Tagebuchstil stellen den Alltag, die Gefühle und die Gedanken der beiden nicht nur geografisch weit voneinander entfernten Protagonisten parallel dar und offenbaren extreme Unterschiede, aber auch erstaunliche Ähnlichkeiten. Sie zeigen auf der einen Seite die ukrainische Kriegsjournalistin, die zwischen Kiew, der Front und ihrer Familie im dänischen Exil, sowie zwischen Erschöpfung, Wut und Hoffnung hin und her wechselt, während die existenzielle Bedrohung allgegenwärtig ist. Auf der anderen Seite wird die Perspektive des russischen Künstlers dargestellt, der, durch den Krieg entfremdet von seinem Land, in den Westen ausreist, seine Familie in Sankt Petersburg zurücklässt und in innerer Zerrissenheit und Angst vor dem langem Arm des russischen Regimes lebt. Die persönlichen Berichte machen nicht nur greifbar, wie sich der Krieg im Laufe eines Jahres körperlich und psychisch auswirkt, sondern vermitteln auch ein differenziertes Bild davon, wie er den Blick auf zwischenmenschliche Beziehungen, kulturelle Identitäten oder die Haltung zu moralischen Fragen verändert." (Verlagsbeschreibung)
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"Este libro reúne un conjunto de investigaciones que desde diferentes perspectivas, problemáticas y objetos de estudio hacen uso de la oralidad para la escritura de la historia. Es fruto del trabajo realizado en el XV Encuentro Nacional y IX Congreso Internacional de Historia Oral. Pasado, present
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e y futuro de la historia oral en Argentina y América Latina, llevado a cabo en la ciudad de Mar del Plata en agosto de 2023. Aunados por la valoración del testimonio como una puerta de entrada privilegiada para la reconstrucción de relatos del pasado, los trabajos aquí compilados dan cuenta de la pluralidad de abordajes que la historia oral integra en la actualidad. Así, esta obra ilustra los principales aportes al desarrollo del campo a través de experiencias, proyectos e investigaciones en curso tanto en Argentina como en Latinoamérica." (Descripción de la casa editorial)
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"Des échanges intertextuels entre films, oralité et écriture ont caractérisé la production cinématographique des années 1990 et un certain nombre d’études leur ont été dédiées. Moins traitées par la recherche sont les relations entretenues par le cinéma avec la télévision et l’In
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ternet, alors que ces articulations sont omniprésentes dans le domaine de la production et de la réalisation de films en amazigh/berbère. Les articles réunis ici sont donc consacrés à l’imbrication du cinéma amazigh/berbère avec l’ensemble des autres médias et visent à répondre aux questions suivantes : quelle est l’influence des autres médias sur la technique et le sujet des films en amazigh ? L’intertextualité médiatique joue-t-elle un rôle dans l’émergence de nouveaux thèmes ? Quelle est la réception des nouveaux thèmes et films ? " (Description de la maison d'édition)
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"This volume responds to the great need to rethink journalism from various perspectives including journalism training, research, the contents of the news media, language, media ethics, the safety of journalists and gender inequities in the news media." (Publisher description)
"This volume presents a comparative exploration of Dalit autobiographical writing from India and of Latin American testimonio as subaltern voices from two regions of the Global South. Offering frames for linking global subalternity today, the chapters address Siddalingaiah's Ooru Keri; Muli's Life H
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istory; Manoranjan Byapari and Manju Bala's narratives; and Yashica Dutt's Coming Out as Dalit; among others, alongside foundational texts of the testimonio genre.While embedded in their specific experiences, the shared history of oppression and resistance on the basis of race/ethnicity and caste from where these subaltern life histories arise constitutes an alternative epistemological locus. The chapters point to the inadequacy of reading them within existing critical frameworks in autobiography studies." (Publisher description)
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"This document was developed as an instrument to support civil society organizations (CSOs) in Colombia in the development of oral archives and in the organization of their archival collections. It draws from the experience of GIJTR partners International Coalition of Sites of Conscience (ICSC) and
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Public International Law & Policy Group (PILPG), and ICSC members Memoria Abierta (Argentina), Parque por la Paz Villa Grimaldi (Chile) and Centro de Memoria Monseñor Juan Gerardi (Guatemala), combined with lessons learned in supporting Colombian CSOs in preparing documentation for the Comisión para el Esclarecimiento de la Verdad) Truth Commission. This practical guide highlights basic principles in developing oral archives based on interviews, and in organizing human rights documentation archives. Section 1 focuses on the development of oral archives, and Section 2 offers basic advice on the first steps to help CSOs organize their archives." (About this toolkit)
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"This volume explores the shifting tides of how political violence is memorialized in today's decentralized, digital era. The book enhances our understanding of how the digital turn is changing the ways that we remember, interpret, and memorialize the past. It also raises practical and ethical quest
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ions of how we should utilize these tools and study their impacts. Cases covered include memorialization efforts related to the genocides in Rwanda, Cambodia, Europe (the Holocaust), and Armenia; to non-genocidal violence in Haiti, and the Portuguese Colonial War on the African Continent; and of the September 11 attacks on the United States." (Publisher description)
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"The aim of this monograph is an attempt to examine the relationship between collective memory and oral texts. The material basis for this presentation consists of folklore oral texts, both prosaic and poetic, different as regards their genres (fairy tales, fables, recollections, traditions, legends
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, proverbs, and songs) as well as texts that are fragments of spontaneous interviews. The monograph consists of five main parts devoted to the following themes: theoretical considerations, the relation between memory and language, text memory, genre memory, and the relation between memory and the folk artistic style." (Publisher description)
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"This study examines news production and newsroom culture in radio stations in Ghana’s Northern Region. It explores the dynamics of news production and delivery in indigenous language newsrooms. Through in-depth interviews with eight indigenous language news presenters and journalists, the study c
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ritically explores the intricacies of news production, drawing attention to how news production is contextualized within this society. Through an oral epistemological approach, I argue that news journalists and presenters draw on orature and oral epistemologies to build their news-presenting personas and personalities in a way that positions them as frame sponsors who intentionally set the agenda for news content by unilaterally selecting specific stories to air. This study presents novel ways to conceptualize framing and agenda-setting while demonstrating the usefulness of customizing theory for specific sociocultural contexts. The study presents theoretical and practical implications to bridge the gap between theory and praxis while rethinking news production in Global South contexts such as Ghana." (Abstract)
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"The overall aim of the workshop was to promote discussion among the archives on their respective practices, to reflect on the practice of interviewing with the involved historians and, last but not least, to find ways to make better use of the interviews available in the archives [...] The first pa
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rt of this reader contains the self-portrayals of the archives involved in the network and presentations of their contemporary witness projects, while the second part features reports from the historians on their practice, including reflections on their approaches. The appendix contains detailed overviews of the archived interviews of contemporary witnesses. Together with the texts, they are intended to give an impression of the interesting interviews that can already be found in the Ecology Archives and to arouse curiosity about their scientific use." (Editorial, page 4)
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"Beim Stichwort „mündliches Erzählen“ denkt man hierzulande vor allem an „Märchen“, kurze und wundersame Erzählungen der Landbevölkerung vergangener Zeiten. Tatsächlich aber kannten alle Kulturen raffinierte Erzählkünste, die häufig auch Schriftliteratur und Theater inspirierten. Au
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s historischen Berichten über Erzähler und ihre Auftritte, ethnologischen Forschungen und nicht zuletzt durch zahlreiche Erzählungen der verschiedenen Kulturen entsteht eine ebenso informative wie vergnügliche Kulturgeschichte des mündlichen Erzählens. Die bezeichnenden Formen und Funktionen der vielfältigen Erzähltraditionen ergeben ein schillerndes Bild der Kommunikationsform „Erzählen“: die Interaktion zwischen Erzähler und Hörern in den Dörfern Afrikas etwa, die Improvisationstechnik der Epenerzähler Mittelasiens oder die Unterschiede zwischen männlichem und weiblichem Erzählen im islamischen Orient. Öffentliches Erzählen diente stets auch der Verständigung über Werte und Einstellungen. Die modernen Massenmedien können den interagierenden Erzähler nicht ersetzen, was verständlich macht, warum dieses „Urmedium“ neuerdings auch in der „Mediengesellschaft“ wieder eine überraschende Faszination ausübt." (Verlagsbeschreibung)
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"The Oral History Manual is designed to help anyone interested in doing oral history research to think like an oral historian. Recognizing that oral history is a research methodology, the authors define oral history and then discuss the methodology in the context of the oral history life cycle – t
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he guiding steps that take a practitioner from idea through access/use. They examine how to articulate the purpose of an interview, determine legal and ethical parameters, identify narrators and interviewers, choose equipment, develop budgets and record-keeping systems, prepare for and record interviews, care for interview materials, and use the interview information." (Publisher description)
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"In a world where new technologies are being developed at a dizzying pace, how can we best approach oral genres that represent heritage? Taking an innovative and interdisciplinary approach, this volume explores the idea of sharing as a model to construct and disseminate the knowledge of literary her
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itage with the people who are represented by and in it. Expert contributors interweave sociological analysis with an appraisal of the transformative impact of technology on literary and cultural production. Does technology restrict, constraining the experience of an oral performance, or does it afford new openings for different aesthetic experiences? Topics explored include the Mara Cultural Heritage Digital Library, the preservation of Ewe heritage material, new eresources for texts in Manding languages, and the possibilities of technauriture." (Publisher description)
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"The book uses an innovative prism of interorality that powerfully reevaluates Caribbean orality and innovatively casts light on its overlooked and fundamental epistemological contribution into the formation of Caribbean philosophy. It defines the innovative prism of interorality as the systematic t
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ransposition of previously composed storytales into new and distinct tales. The book offers a powerful consideration of the interconnections between Caribbean orality and Caribbean philosophy, especially as this pertains to aesthetics and ethics." (Publisher description)
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"Oral history is increasingly acknowledged as a key tool for anyone studying the history of the recent past. This book is the first to provide a comprehensive and systematic overview of oral history theory in an accessible format.The book is structured around key themes, including the peculiarities
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of oral history, the study of the self, subjectivity and intersubjectivity, memory, narrative, performance and power. Each chapter provides a clear and user-friendly explanation of the various theoretical approaches, illustrates them with examples from the rich field of published oral history, and makes suggestions for the practicing oral historian. There is also a glossary of key terms and concepts.Combining the study of theoreticians with the observations of practitioners, and including extensive examples of oral history work from around the world, this book constitutes the first integrated explanation of oral history theory. It will be invaluable to experienced and novice oral historians, professionals, and students who are new to the discipline." (Publisher description)
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"This book approaches the memory sharing of groups, communities and societies as inevitable struggles over the interpretation of, and authority over, particular stories. Coming to terms with the past in memory work, alone or with others, is always unsteady ground and the activation of memory will al
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ways relay imaginations of futures we want to shape and inhabit. The contributors all explore in different ways how citizens can actualize a public and how citizens and groups struggle with their pasts and presents - and other group's understandings - in their work for futures they dream of, or envision. This implies an engagement with the notion of social justice, which in turn entails trial and revision of ideas and procedures of how to share the world. But to share also requires some kind of common ground and distributed power. The anthology thus engages with a range of cases that bring views and voices back in public, demanding justice, recognition, sometimes literally triggering new trials. Some of the memory work is done strategically, in the context of communication for development and social change interventions where NGOs, community-based organizations, governments or UN agencies pursue not just voice and views, but also very material demands for social justice and social change." (Publisher description)
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"The influence of globalisation and its attendant modern technologies has reconfigured the manner in which orality functions in the contemporary African context. Confronted with the powerful presence of media technologies that threaten to supplant its central role in many African societies, orality
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has been compelled to reinvent itself by means of appropriating the same media for its survival. The result has been a process that seeks to recontextualise imported technologies in locally relevant ways. This article focuses on how video technology adapts to local Kenyan cultural contexts. Arguing that vernacular video films form part of contemporary cultural productions in Kenya, the article demonstrates how strategies of remediation, such as subtitling, re-oralisation, repurposing and immediacy, contribute to the reactivation of orality. It emerges from the analyses that local knowledge cultures actively engage modern technologies in a way that debunks any simple linear perceptions of the impact of mediatisation on African epistemologies. Through local agency, communities actualise their aspirations for a domesticated modernity that is simultaneously fresh and familiar, and therefore less culturally alienating." (Abstract)
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"Exploring the developments that have occurred in the practice of oral history since digital audio and video became viable, this book explores various groundbreaking projects in the history of digital oral history, distilling the insights of pioneers in the field and applying them to the constantly
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changing electronic landscape of today." (Publisher description)
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"This chapter argues that narrative can be particularly well suited to transcend the unhelpful polarizations – behavioral versus social change, diffusion versus participatory approaches – that have characterized and restricted global health communication to date. The chapter describes a series o
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f theoretical rationales and cases that can be enlisted to support the conceptualization of storytelling for social change practices and their effects at multiple levels of analysis. Next, it considers the theoretical base and cases on narrative and narration into articulation with the “Scenarios from Africa” process. Culture has been conceptualized as a “static set of never-changing values and norms” to which individuals are subject, rather than as “a complex, dynamic, and adaptive system of meaning” that is constantly evolving under the influence of individuals and collectivities. The theory of narrative and education proposed by cultural and educational psychologist, Jerome Bruner, provides a compelling grounding for this social constructivist perspective." (Summary)
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