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Communication
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Audiovisual Communication
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Language
Document type
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Methods applied
Journals
Output Type
Die ungarische Filmwirtschaft 1987-1991
In: Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Peter Hoff; Dieter Wiedemann (eds.)
Berlin: Vistas (1993), pp. 38-45
Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Berlin: Vistas (1993), 165 pp.
Der Band vereinigt Beiträge zur aktuellen Situation und zukünftigen Entwicklung der Medien in Osteuropa. Im Mittelpunkt stehen Situationsberichte aus Rußland, Ungarn, Polen, Tschechoslowakei, Kroatien und Bulgarien.
Africa Film & TV 93
Harare: Z Promotions (1993), 176 pp.
Die ungarische Filmstiftung als eine neue Organisationsform der Filmfinanzierung
In: Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Peter Hoff; Dieter Wiedemann (eds.)
Berlin: Vistas (1993), pp. 21-24
Bemerkungen zur Ost-West-Koproduktion aus der Sicht der Produzentin
In: Medienkontinent Europa? III. Wissenschaftliches Colloquium des Instituts für Medienforschung der Hochschule für Film und Fernsehen "Konrad Wolf", Potsdam-Babelsberg
Peter Hoff; Dieter Wiedemann (eds.)
Berlin: Vistas (1993), pp. 76-79
Las industrias culturales en la Argentina: Dimensión económica y políticas públicas
Buenos Aires: Ediciones Colihue (1993), 378 pp.
Filmkultur und Filmindustrie in Ägypten
Darmstadt: Wissenschaftliche Buchgesellschaft (wbg) (1993), 296 pp.
Circuito: Revista trimestral de comunicación y culturas latinas, nr.18
Lima: Unión Latina (1992), 88 pp.
African Cinema: Politics and Culture
Bloomington: Indiana University Press (1992), ix, 192 pp.
"Drawing on political science, economics, history, and cultural studies, Diawara provides an insider's account of the development and current status of African cinema. He discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present." (Publish
...
Inside Philippine Movies 1970-1990: Essays for Students of Philippine Cinema
Manila: Ateneo de Manila University Press (1991), 189 pp.
Mass Culture and Perestroika in the Soviet Union
Journal of Communication, volume 41, issue 2 (1991), 240 pp.
Circuito: Revista trimestral de comunicación y culturas latinas, no. 11
Unión Latina (1990), 59 pp.
Cine latinoamericano: Economía y nuevas tecnologías audiovisuales
México, DF: Trillas (1990), 244 pp.
Directory of Film and Video Production Resources in Latin America and the Caribbean
New York: FIVF (1989), 93 pp.
Film und Kultur in Afrika
Berlin: Deutsche Stiftung für Internationale Entwicklung (DSE) (1989), 56 pp.
Cinéma et culture en Afrique
Berlin: Deutsche Stiftung für Internationale Entwicklung (DSE) (1989), 62 pp.
Politik und Ökonomie des Spielfilms im frankophonen Afrika
Münster: Westfälische Wilhelms-Universität, Magisterarbeit (1989), 239 pp.
Le cinema africain de A à Z
Brussels: OCIC (1987), 206 pp.
Third World Film Making and the West
Berkeley: University of California Press (1987), xiii, 381 pp.
"This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world's films. Roy Armes sets out initially to place this huge output
...
La industria cinematografica chilena: Desafios y realidad
Santiago de Chile: CENECA (1986), 65 pp.
