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Religious Films
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Film and Spirituality
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Bible Films, Movie Christs & Antichrists
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Religion and Communication
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Hinduism and Communication
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Catholic Church & Cinema
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Bollywood
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Indigenous & Traditional Religions, Indigenous Cosmovisions
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Film Actors, Directors & Producers, Filmmakers
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Film Festivals
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Films
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Judaism: Media Representation & Reporting
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Interreligious Dialogue
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Muslim Cinema & Film Representation of Islam
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Advocacy & Political Films
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Media Use: Migrants & Diasporas
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Muslim Book Publishing
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OCIC - Office Catholique International du Cinéma (1928-2001)
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Signis
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Catholic Theology
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Church Documents on Communication
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Religious Contents & Meanings in Cartoons & Comics
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New Testament
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Christian Radio Programmes
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Christian Television
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Interfilm (Protestant Film Organization, 1955-)
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Christianity: Media Representation & Reporting
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Church Marketing
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Faith-Based Film Literacy Education
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Missionary Communication, Media & Evangelisation
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Cinema
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African Cinema
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Awards & Prizes: Film Awards
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Religion and Conflicts, Religious Conflicts, Religious Violence
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Trauma, Coping with Trauma, Trauma Therapy
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Collective Memory: Violent Conflicts & Wars
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Cultural Studies
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Muslim Literature
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Popular Cultures
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Religious Music
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Religious Communication Ethics, Religious Media Ethics
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Feminism & Communication
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Religion: Media Representation
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Islam: Media Representation & Reporting
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Religious Journalism, Religion News
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Media Law & Regulation: Religious Media
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Music
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Wenders, Wim
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Religious Radio Programmes
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Muslim Radio Broadcasting
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Emotions in the Media, Emotional Functions & Messages of Media
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African Religions
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Afterlife, Immortality, Resurrection: Media Representation
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Demons, Ghosts, Supernaturals & The Evil in the Media
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Hinduism
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Islamic Cultures: Role of Media
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Muslim Television Broadcasting
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Religion in Entertainment Programmes (Religiotainment)
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Rural Issues: Media Representation & Reporting
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Visual Representations
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Language
Document type
Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Sin and Divine Punishment: The Korean Series JIOK (HELLBOUND, KR 2021–), New Religious Movements, and a World Full of Guilt
Journal for Religion, Film and Media (JRFM), volume 9, issue 2 (2023), pp. 87-99
"The TV series Jiok (Yon Sang-ho, 2021-), internationally known as Hellbound, is a recent and highly successful series that has been available on the streaming platform Netflix since November 2021. It is usually described as a "dark mystery thriller" or "dark fantasy film", which points to the gener
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The Representation of Rural Christianity in the Films of Gan Xiao’er
Journal for Religion, Film and Media (JRFM), volume 9, issue 2 (2023), pp. 101-125
"The religious dimension of Chinese cinema is, it has been observed, a "triple lacuna" in contemporary scholarship: in research on religion in China, in research on Chinese cinema, and in interdisciplinary research on film and religion. From 2002 to 2012, independent filmmaker Gan Xiao'er directed t
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The Handbook on Religion and Communication
Top Insights
Newark: Wiley Blackwell (2023), 571 pp.
"Divided into five parts, the Handbook opens with a state-of-the-art overview of the subject’s intellectual landscape, introducing the historical background, theoretical foundations, and major academic approaches to communication, media, and religion. Subsequent sections focus on institutional and
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Religiöse Helden: Glaube, Religion und Moralität in der superheroischen Popkultur
Bielefeld: transcript (2022), 220 pp.
"Superheld*innen sind in der Krise: Gut und Böse, Richtig und Falsch sind nach starken sozialen und politischen Umbrüchen längst nicht mehr klar und eindeutig. Für das Genre ein eklatantes Problem. Religion und Glaube könnten hier Orientierung bieten, verlieren aber - so der gängige Vorwurf -
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Spiritual Sensations: Cinematic Religious Experience and Evolving Conceptions of the Sacred
London et al.: Bloomsbury Academic (2021), x, 219 pp.
"The secular, pluralist culture of the West encourages a subjective approach to spiritual truth where stimulating emotional experiences, such as those provided by film, can contribute to personal conceptions of the sacred. Examining Stanley Kubrick's 2001: A Space Odyssey (1968) as the principal cas
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Komm und sieh: Religion im Film. Analysen und Modelle
Wiesbaden: Springer VS (2020), vi, 164 pp.
"Der erste große Teil dieses Bandes beschreibt - angefangen bei den "Zehn Geboten" und ihrer Aktualisierung in "The Beach" über das "Opfer" Harry Potters, Blade Runners & Katniss´ in "Tribute von Panem" bis hin zu natürlichen und künstlichen Intelligenzen ("Planet der Affen" und "Ex Machina") -
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Film ab! Kunst, Geschäft und Widerstand: Kino im globalen Süden
welt-sichten, issue 6 (2020), pp. 12-33
Trauma, Memory and Religion
Journal for Religion, Film and Media (JRFM), volume 4, issue 1 (2018), pp. 7-77
Controversies and Restrictions of Visual Representation of Prophets in Northern Nigerian Popular Culture
Journal of African Media Studies, volume 9, issue 1 (2017), pp. 17-31
"Generally, images in art forms occupy a controversial position in the Islamic world. The Sunni branch of Islam, considered more conservative and strict does not approve or condone representational art of the human form for fear that it would eventually turn into an object of worship. The Shi’ite
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The Media and Religious Authority
University Park, PA: Pennsylvania State University Press (2016), viii, 296 pp.
"The contributors to The Media and Religious Authority examine the ways in which new centers of power and influence are emerging as religions seek to "brand" themselves in the media age. Putting their in-depth, incisive studies of particular instances of media production and reception in Asia, Afric
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SIGNIS and Cinema: Looking for God Behind the Screen
Opole (PL); Brussels: Uniwersytet Opolski, Wydzial Teologiczny; Signis Europe (2016), 85 pp.
The Bible in Motion: A Handbook of the Bible and its Reception in Film
Berlin; Boston: De Gruyter (2016), xviii, 921 pp.
"This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament;
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New Media and Religious Transformations in Africa
Bloomington, Indiana: Indiana University Press (2015), xii, 316 pp.
Sensational Movies: Video, Vision, and Christianity in Ghana
Oakland, Calif.: University of California Press (2015), xix, 380 pp.
"Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture in turmoil. Birgit Meyer captures the dynamic process of popular filmmaking in Ghana as a new medium for the imagination
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Audio-Visual Religion in Asia
Material Religion, volume 11, issue 4 (2015), pp. 415-549
How Karunamayudu (1978) Became an Evangelistic Tool: Implications for Understanding Evangelicals and Media
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 120-143
"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
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Churches, Christians and Modern Media
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 101-198
Bollyworld Neukölln: MigrantInnen und Hindi-Filme in Deutschland
Konstanz; München: UVK (2012), 312 pp.
»Bollyworld Neukölln« ist nicht nur die erste umfassende Studie zum Hindi-Kino in Deutschland, die spezifische, inoffizielle und migrantische Rezeptionswege mitberücksichtigt, sondern zeigt auch neue empirische Perspektiven auf Migranten und Medien auf. Anstatt MigrantInnen unreflektiert nach be
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Islam and Popular Culture in Indonesia and Malaysia
Abingdon, Oxon; New York: Routledge (2011), xv, 259 pp.
