"Visuals hold a special place in the field of communication. Politicians, in a move to position themselves or market their activities, use visuals that stand as a testimony to their principles. However, their importance and value in political communication are not highly reflected in academic litera
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ture. This article is built from this understudied field by looking at the role photojournalists play in framing opposition political parties in Zimbabwe. Photographs are important tools in politics as evidenced by experimental research on political communication that found that ‘a single photograph can have a clear impact on voters’ judgements regarding a candidate’s demeanour, competence, leadership ability, attractiveness, likeableness, and integrity’. This study seeks to analyse photographs that were used by photojournalists to frame the newly formed political party, amidst the power struggles within the party, and political repression from the authoritarian regime. Informed by visual framing, the study found that photojournalists framed Nelson Chamisa as youthful and vibrant while his party was seen as resembling the new dawn. However, photographs also showed that Chamisa and his party had nothing to offer as they did not have a constitution, guiding policy nor a clear ideology." (Abstract)
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"Responding to mounting calls to decenter and decolonize journalism, The Routledge Companion to Journalism in the Global South examines not only the deep-seated challenges associated with the historical imposition of Western journalism standards on constituencies of the Global South but also the opp
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ortunities presented to journalists and journalism educators if they choose to partake in international collaboration and education.
This collection returns to fundamental questions around the meaning, value, and practices of journalism from alternative methodological, theoretical, and epistemological perspectives. These questions include: What really is journalism? Who gets to, and who is qualified to, define it? What role do ethics play? What are the current trends, challenges, and opportunities for journalism in the Global South? How is news covered, reported, written, and edited in non-Western settings? What can journalism players living and working in industrialized markets learn from their non-Western colleagues and counterparts, and vice versa? Contributors challenge accepted “universal” ethical standards while showing the relevance of customs, traditions, and cultures in defining and shaping local and regional journalism." (Publisher description)
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"This study content analyzed visual frames of Afghan refugees during the first six months of the Taliban’s second regime (from August 15, 2021, to February 15, 2022). A total of N = 1,948 images from the Associated Press were quantitatively analyzed for focal point, topic, tone, depiction, gender,
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and age. The findings indicate that Afghan refugees were predominantly the primary focal points of the AP images, with significantly more positive and active frames than negative and passive frames. In contrast to previous research on the framing of Afghan women in Western media before the U.S. invasion of Afghanistan, Afghan women were framed significantly as more positive and active than Afghan men in the photos." (Abstract)
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"News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journal
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ists and news organizations are responding to technological changes in the twenty-first century. Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists." (Publisher description)
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"The book is divided into five sections that examine philosophical principles for reporting on poverty, the history and nature of poverty coverage, problematic representations of people experiencing poverty, poverty coverage as part of reporting on public policy, and positive possibilities for pover
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ty coverage. Each section provides an introduction to the topic, as well as a broad selection of essays illuminating key issues and a Q&A with a relevant journalist. Topics covered include news coverage of corporate philanthropy, structural bias in reporting, representations of the working poor, the moral demands of vulnerability and agency, community empowerment, and citizen media. The book's broad focus considers media and poverty at both the local and global levels with contributors from sixteen countries." (Publisher description)
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"This book uses decolonisation as a lens to interrogate political communication styles, performance, and practice in Africa and the diaspora. The book interrogates the theory and practice of political communication, using decolonial research methods to begin a process of self-reflexivity and the cre
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ation of a new approach to knowledge production about African political communication. In doing so, it explores political communication approaches that might until recently have been considered subversive or dissident: forms of political communication that served to challenge imposed western norms and to empower African citizens and their histories. Centring African scholarship, the book draws on case studies from across the continent, including Zimbabwe, South Africa, Nigeria and Ghana." (Publisher description)
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"Este libro constituye un estudio desde el Diseño y la Enunciación sobre la fotorreportería del periódico El tiempo 2002-2006, su propósito es indagar acerca del conflicto armado colombiano y revelar cuáles fueron los principales antecedentes que le dieron origen. De esta manera, la imagen fot
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ográfica toma lugar como la principal fuente de indagación y el recurso que establece las características y procederes del reportaje de guerra. El fenómeno del conflicto, a efectos de esta investigación, está delimitado entre los años 2002-2006, a fin de precisar las circunstancias identitarias del conflicto armado en Colombia que no se dan en otra temporalidad, probablemente porque las dimensiones de esta realidad fijaron modos de una narrativa de guerra significativa." (Descripción de la casa editorial)
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"Between 2012 and 2016, UNESCO registered 530 deaths of journalists. They also published a statistic showing that television journalists were the most killed, followed by print media, radio and online journalists. Hinted in this statistics is the need to understand the relationship between the mediu
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m through which and in which the journalists produce news and the threats and dangers posed to them. In this article, we discuss this interlinkage and call it medium-specific threats. As examples of this interlinkage, we describe the cases of community radio journalists in the Philippines, photojournalists in Afghanistan and online journalists in Venezuela. Based on these examples from independently conducted studies from very different parts of the world, we make the broader case that while recognizing the prevailing political-economic and socio-cultural factors and forces at work in these media systems-in-flux, investigations of medium-specific threats to journalists are needed for more nuanced understanding of and thus mitigation of journalists’ insecurities." (Abstract)
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"As the United States engages with the Taliban in a peace process that might return them to influence within Afghanistan, concerns are rising regarding the future status of Afghan women. In this background, this article returns to the much studied subject of the portrayal of Afghan women in Western
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news media through Orientalist stereotypes. Noting the lack of Afghan perspectives in previous research on this topic, the study investigates the views and practices of Afghan photojournalists, who have today come to replace international photojournalists in the country, when it comes to ‘picturing Afghan women’ for Western audiences. It sheds light on the day-to-day professional activities of these photojournalists when producing images of Afghan women for Western audiences. It goes on to explore Afghan photojournalists’ perceptions about how Afghan women have been and are being portrayed in Western news media. Finally, it reports on how most of these Afghan photojournalists may perpetuate the same stereotypes about Afghan women for Western audiences because hierarchies in the international ‘visual gatekeeping chain’ supersede the Afghan photojournalists’ power to shape visual narratives and coupled with the need to earn an income as precarious labor, their individual self-reflexivity regarding picturing Afghan women are suppressed. The study also notes how photographing Afghan women causes risks for Afghan photojournalists as well as the Afghan women who are photographed. Attention is called to this hitherto invisible ethical concern that lives are jeopardized to validate Western savior narratives regarding Afghan women through images." (Abstract)
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"In international conflict correspondence safety mechanisms are unequally employed to protect local news-staffs in contrast to international staffs. Arguably, this has had the greatest impact on image production from war zones, exposing local photojournalists to increased dangers. But it also raises
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the possibility that local photographers from conflict-torn countries may represent conflicts to international audiences differently than do international photographers. This possibility is explored in this study using the case of Afghanistan. Based on photojournalists’ perceptions and comparisons of international and locally produced images, we explore potential effects of the shifting reliance on local rather than international photojournalists on how distant wars come to be pictured to international audiences. This study advances an argument for giving increased protection to local photojournalists in conflict zones." (Abstract)
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"Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments an
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d videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns. This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world." (Publisher description)
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"Among the stand-out results, we found a significant decline in the number of photographers working full-time in photography from 74% of respondents in the first survey in 2015 to 59% in 2018. The report is based on four years of surveys with photographers entering the World Press Photo Foundation
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s annual photo contest. The data has been analyzed by a team at the University of Stirling in Scotland, one of the UK’s highest ranked journalism departments. Over the four years of our research, more than 5,000 photographers from over 100 countries and territories participated in the surveys that form the basis of our study. We found that more photographers are working as stringers and a greater proportion, close to 40%, admit their financial circumstances are “difficult” or “very difficult”. In an age where nearly everybody has a camera in their smartphones, in which copyright is often not respected, and in which traditional media organizations have been struggling to survive, it seems photographers are finding it increasingly difficult to make a living. Photographers are having to be more flexible, engaging in different kinds of work from teaching and exhibitions to portraiture and crowdfunding. Respondents in the survey said they were increasingly being required to shoot video even though they far preferred stills photography. Almost 40% of the photographers who participated in the research were required to take video as part of their work. They were also more likely to be part of a multi-media team." (Adrina Hadland, Dec 12, 2018 at https://witness.worldpressphoto.org)
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"Visual Imagery and Human Rights Practice examines the interplay between images and human rights, addressing how, when, and to what ends visuals are becoming a more central means through which human rights claims receive recognition and restitution. The collection argues that accounting for how imag
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es work on their own terms is an ever more important epistemological project for fostering the imaginative scope of human rights and its purchase on reality. Interdisciplinary in nature, this timely volume brings together voices of scholars and practitioners from around the world, making a valuable contribution to the study of media and human rights while tackling the growing role of visuals across cultural, social, political and legal structures." (Publisher description)
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"This chapter illuminates new understanding about the dangers experienced by Australian news photographers on international and domestic assignments. Using oral history methodology, the interviews with 60 present and former Australian newspaper photographers revealed a litany of psychologically and
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physically hazardous aspects of their work, and the safety training available. Despite the implementation of trauma counselling and hostile environment courses, press photography continues to be a highly dangerous and precarious vocation." (Abstract)
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"In this article, I seek to inform Peace Journalism (PJ) education and training in conflict-affected countries in particular. Based on a case study of the professional experiences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by journalists from
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conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ training in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by Afghan photojournalists and evaluate the obstacles that implementation of PJ faces as a result of them. In section 7, I describe one professional motivator for Afghan photojournalists and discuss the opportunity it presents for PJ adoption. In section 8, I describe two other constraints faced by Afghan photojournalists related specifically to donor-funded media development in post-2001 Afghanistan and discuss their implications for PJ training. Finally in section 9, while noting the limitations of the current study, I offer two ways forward for PJ training in conflict-affected countries like Afghanistan." (Abstract)
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"This edited volume discusses the theoretical, practical and methodological issues surrounding changes in journalism in the digital era. The chapters explore how technological innovations have transformed journalism and how an international comparative perspective can contribute to our understanding
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of the topic. Journalism is examined within Anglo-American and European contexts as well as in Asia and Africa, and comparative approaches and methods for journalism studies in the digital age are evaluated. In so doing, the book offers a thorough investigation of changes in journalistic norms, practices and genres in addition to providing an international and comparative perspective for understanding these changes and what they mean to journalism." (Publisher description)
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