"This study applies the framing model of Semetko and Valkenburg (2000) to analyze media coverage of the Chilean social protests of 2019, with a particular emphasis on differences between radio and television coverage. This model uses 20 distinct questions to identify specific frames used in news rep
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orting. These findings indicate that the predominant frame across all protest coverage was Attribution of Responsibility, though this frame was even more prevalent for radio. For television, the results suggest a lower focus on the protesters’ demands, with a tendency to portray the events as a political conflict." (Abstract)
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"This study is aimed at investigating the impact of security threats on the freedom of expression of Pakistani Television (TV) journalists. It has been observed that a growing trend of curtailment of freedom of expression is becoming new normal in the country. One of the significant problems related
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to freedom of expression in Pakistani media has been attacks against journalists. Pakistan Press Foundation recorded that 73 journalists have been killed since 2002 (IPEX, PPF and RIDH, 2017). This study has identified the sources and nature of security threats to Pakistani TV journalists. These security threats include threats from owners to threats from secret agencies. The study has been done under the conceptual umbrella of Social Responsibility Theory since Normative Theory deals with agents of control that also govern the laws and regulation and put check on the press freedom. The qualitative research method was adopted to conduct this research. The data was collected from a group of 25 journalists, belonging to major TV news channels of Pakistan through purposive sampling. Semi-structured in-depth interviews were conducted to gather responses. The data was analyzed through Interpretative Phenomenological Analysis technique. All responses were transcribed as verbatim, from which exploratory notes were prepared to derive emerging themes which were further categorized into sub-themes. The data revealed that the respondents not only had concerns regarding their job security rather they were also stopped from covering different packages. The research also presents recommendations to ensure maximum free expression for these journalists." (Abstract)
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"As members of the media, TV news workers were considered essential employees during the COVID-19 pandemic. Many employees went into the field to cover stories related to the pandemic, which included anti-mask and lock-down protests. This mixed-methods study explored the extent to which TV news work
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ers perceived organizational support from their news organizations during the crisis. Findings of a national survey of TV news employees (N = 173) show market size (larger), membership in professional organizations, access to counseling services, and resources on best practices of covering COVID-19 correlated with positive perceptions of employers during the pandemic. In turn, these positive perceptions, as well as manageable job demands and high decision authority each correlated with overall job satisfaction. Qualitative findings further illustrated the varying steps TV news managers took to support and protect their employees’ health and safety during the crisis." (Abstract)
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"Das Buch gibt einen umfassenden Überblick über die Arbeit des Fernsehjournalisten. Die Grundlagen in den verschiedenen Bereichen werden vermittelt. »Fernsehjournalismus« beginnt mit dem filmischen Erzählen und einer passenden Dramaturgie. Als Rohstoffe und Werkzeuge hat der Fernsehjournalist d
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as bewegte Bild, den Ton und seinen Text zur Verfügung. Sie greifen ineinander, ergänzen sich – ohne sich gegenseitig zu dominieren. Diese Balance verlangt Fingerspitzengefühl, das in diesem Buch vermittelt wird. Angefangen bei der Idee über die Recherche, die Drehplanung, die Dreharbeiten bis zur Montage am Schnittplatz und der Tonmischung – das Buch erläutert den gesamten gestalterischen Prozess der Filmproduktion im TV. Dabei geht es auch um einen wichtigen Punkt: rechtliche Fragen. Die gewinnen zunehmend an Bedeutung. Der Fernsehjournalist wird tagtäglich mit ihnen konfrontiert." (Einleitung, Seite 9)
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"Die sichere Beherrschung des Zusammenspiels der verschiedenen Darstellungsebenen und die Übersetzung von Themen in konkrete miterlebbare Geschichten sind für Journalisten unerlässliche Voraussetzungen, um bei den Zuschauern genau die Wirkungen zu erreichen, die sie beabsichtigen. Dieses Buch ver
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mittelt Journalisten anhand von zahlreichen praktischen Beispielen, Abbildungen und Checklisten das erforderliche Wissen. Einer gründlichen Einführung in die Fernsehdramaturgie folgt die Auseinandersetzung mit den im Fernsehjournalismus zur Verfügung stehenden Genres und ihren jeweiligen handwerklichen Besonderheiten. Dieses dramaturgische Handwerkszeug wird in die konkreten Gestaltungsmittel von Bild, Ton, Musik, Text und Montage überführt und um vielfältige Praxistipps ergänzt." (Publisher description)
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"This article defines feminist media activism in terms of counter-public communication and provides a brief overview of activities, functions, types of activists and historical contexts relevant to this kind of feminist activism. Following this research approach, it then examines the specific cases
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of feminist media activism in post-authoritarian and post-conflict Serbia and Croatia. More specifically, it looks into women's NGOs' (non-governmental organizations) attempts to advance gender equality perspectives in and through the television media through providing education for journalists and acting as television sources and pundits. It shows how NGO education can be an effective means of creating pockets of pro-feminist journalism in the mainstream media, whereas feminist activists' performance as television sources results in more mixed outcomes. While some activists' television appearances established women's NGOs as credible parties in popular discussions about gender, other activists shied away from television due to what they saw as anti-analytical, confrontational and stereotypical approaches to feminism on television. Finally, the article identifies the main factors in contemporary Serbian and Croatian societies resulting in comparatively better opportunities for feminist media activism in Croatia than in Serbia." (Abstract)
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"Just like in many other sub-Saharan African countries, Kinshasa's media world has opened up in the mid 1990s. Especially since 2002, local TV stations have been mushrooming. This has not only led to a proliferation of media productions, but it has also enlarged the terrain of local journalists, in
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particular allowing for more jobs. The TV stations are inserted within the larger division that governs Kinshasa's political society: a media outlet is either du centre (of the centre', also du pouvoir', of power') or not, referring to the division between pro-Kabila media and anti-Kabila media. Despite this strong polarization in the local press, many of Kinshasa's journalists share similar professional experiences. In this article, two components of the lifeworlds and work of Kinshasa's journalists are explored: the management of journalists' patron-client relationships with leaders and the experience of risk and fear in their work and in their private lives." (Abstract)
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"For Al Jazeera English (AJE), the Arab revolutions of 2011 offered an opportunity that news executives dream about. It was the biggest story of the century, it was happening on home territory, and the channel had the expertise and the reportorial staff on the ground at levels its competitors could
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not match. For English speakers around the world, AJE was the indispensable, go-to source of information about what was happening in the streets of Tunis, Cairo, Sanaa, and elsewhere in the suddenly rebellious region." (Publisher description)
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"An engaging and up-to-date look at television journalism, examining the history, contemporary trends and future directions of the medium." (Publisher description)