"Participatory video is a growing area of research and an increasingly popular tool among practitioners, researchers, and NGOs working with communities around the world. The Handbook of Participatory Video advances the field, engaging critically with it as a research methodology and method and inter
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rogating assumptions about its emancipatory nature and potential for social change. In twenty-eight chapters, contributors examine historical, ethical, methodological, and technical aspects of participatory video and discuss power, ownership, and knowledge production. The Handbook is organized into six parts: Locating Participatory Video, Participatory Video as a Critical Research Methodology, Working with Visual Data, Power and Ethics in Participatory Video, Dissemination and Reaching New Audiences, and Communities and Technologies." (Publisher description)
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"In the field of citizen media research, considerably less attention has been paid to countries other than the US and those in Western Europe. This article is a case study that focuses on citizen media in Beijing – specifically, the Dazhalan [participatory video] project. Combining in-depth interv
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iews and textual analysis, the article demonstrates the uniqueness of citizen media under China’s state-party media system. The article also suggests that it was the collaboration among ordinary citizens, professionals and journalists that made it possible for citizen media to influence the mainstream media frame-building process." (Abstract)
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"This 42 chapter volume represents the state of the art in visual research. It provides an introduction to the field for a variety of visual researchers: scholars and graduate students in art, sociology, anthropology, communication, education, cultural studies, women's studies, ethnic studies, globa
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l studies and related social science and humanities disciplines. The SAGE Handbook of Visual Research Methods encompasses the breadth and depth of the field, and points the way to future research possibilities. It illustrates “cutting edge” as well as long-standing and recognized practices. This text is not only “about” research, it is also an example of the way that the visual can be incorporated in data collection and the presentation of research findings." (Publisher description)
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"This practical guide is based on the trainings developed for the Through Our Eyes community video project, a collaboration between the American Refugee Committee International (ARC) and Communication for Change (C4C). These workshops combine sessions on key project themes—gender norms, gender-bas
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ed violence, harmful practices, HIV/AIDS, and related issues—with practical sessions on the technical and interpersonal skills needed to carry out participatory video work for social change in the community. This guide is designed as a tool for workshop facilitators and program coordinators. Facilitators with a strong understanding of participatory training methods and community-centered production will implement this training most effectively. Useful resources on both of these areas are included in Section V." (Foreword)
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"Part 1 reviews critical concerns within the context of crisis and conflict-affected settings. Part 2 outlines participatory communication principles and approaches, as well as challenges in addressing sensitive issues within programs supporting social and behavior change. Part 3 focuses on the uses
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of participatory, community-based video in development and humanitarian settings. Part 4 delineates steps in planning and designing a community video project. Part 5 focuses on implementation, ongoing support, and ways of integrating community video activities into broader program work within an organization or program. Part 6 addresses issues of program quality and sustainability. Part 7 provides recommendations for monitoring and evaluation. Part 8 suggests opportunities for sharing experiences, and offers some of principle lessons learned by the Through Our Eyes teams. Resource materials are provided in the Annexes." (Introduction)
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"Between 2008 and 2011, CommunityBased Adaptation in Africa (CBAA) – an action research project – tested tools for community adaptation and knowledge generation in eight African countries while building the capacity of its partners and local communities. Through participatory methods, the proj
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ect helped the selected communities to adapt to climate change and share lessons learnt with key stakeholders at local, national, regional and international levels. The International Institute for Environment and Development (IIED) invited InsightShare to pilot participatory video for monitoring and evaluation (M&E) of this project to support their internal learning processes, inform the action research, and amplify community voices in relation to local adaptation to climate change. Between 2009 and 2010, InsightShare held workshops in four of the eight participating countries: Malawi, South Africa, Kenya and Zimbabwe. InsightShare passed on skills in participatory video and monitoring and evaluation to build the capacities of community members and staff from the communitybased organisations (CBOs) and nongovernmental organisations (NGOs) implementing CBAA in each country. This enhanced the partners capacity to listen to the community members in their search for local adaptation strategies, and to monitor their pilot projects and climaterelated indicators." (Initiative overview, page 1)
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"This toolkit has been assembled to provide the first few stepping stones for practitioners of participatory video to begin introducing a rights-based approach into their practice. We intend this toolkit to be particularly useful for those already undertaking participatory video work in all its guis
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es. However, we hope the methods, ideas, tools, checklists and additional resources cited will mean its contents are useful and relevant to a broad community of practitioners of participatory communications and media." (Introduction, page 3)
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"El objetivo de la Guía es acompañar procesos de formación en teoría y técnica audiovisual, así como en comunicación alternativa, que permitan a colectivos sociales la realización de documentales sociales participativos. La Guía se inserta bajo el paraguas de la comunicación alternativa qu
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e defiende una mayor democratización y justicia social. La comunicación alternativa promueve el derecho a la comunicación para ejercer ciudadanía activa así como la necesidad de incorporar en los medios a la diversidad de voces procedentes del conjunto de sectores sociales. En este sentido, el documental social participativo es una herramienta concreta de comunicación alternativa que facilita el acceso de colectivos sociales al derecho a la comunicación con una calidad conveniente [...] Lo que pretende la Guía es sistematizar los conocimientos y nociones básicas para que estén al alcance de la persona formadora y/o del grupo. También recoge sugerencias acerca de cómo estructurar las formaciones y la realización del documental fruto de la experiencia de decenas de procesos de realización de documentales. Al juntar conocimientos y sugerencias, la Guía espera facilitar que diversos colectivos se embarquen en la experiencia de realizar su propio documental. La Guía se dirige a las personas que facilitan y acompañan los procesos de realización del documental social participativo y/o a los propios grupos. Contar con una persona formadora facilita mucho las cosas y la Guía le permitirá estructurar el proceso. Aunque un grupo también puede asumir el reto de realizar un documental de manera autónoma, es este caso, la Guía puede acompañarle." (Introducción)
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"This booklet documents the participatory video methodology as an affordable and easy-to-use video tool enabling community members to record their experience and strengthen their own knowledge on disaster risks and climate change, as well as to increase their capacity to act on that knowledge and se
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cure change." (commbox)
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"With contributions from an international team of well-known experts, media activists, and promising young scholars, this comprehensive volume examines community-based media from theoretical, empirical, and practical perspectives. More than 30 original essays provide an incisive and timely analysis
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of the relationships between media and society, technology and culture, and communication and community. Key Features: provides vivid examples of community and alternative media initiatives from around the world; explores a wide range of media institutions, forms, and practices—community radio, participatory video, street newspapers, Independent Media Centers, and community informatics; offers cutting-edge analysis of community and alternative media with original essays from new, emerging, and established voices in the field; takes a multidimensional approach to community media studies by highlighting the social, economic, cultural, and political significance of alternative, independent, and community-oriented media organizations; enters the ongoing debates regarding the theory and practice of community media in a comprehensive and engaging fashion." (Publisher description)
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"Harnessing the Power of Videos is a training toolkit for community-based organizations on how they and the adolescent girls they serve can use visual media and technology to tell their stories and those of their communities; to be heard; and, in the process, to be empowered through increased skills
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and self-confidence. This manual was designed in consultation with several organizations focused on promoting gender equality and improving the lives of adolescent girls and young women." (Introduction)
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"The book was written mainly to inform rural development professionals, practitioners and decision-makers in a variety of organisations – from NGOs and farmer associations to government departments and research and educational institutions – about the diverse uses of video in development. Specif
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ically, it seeks to give decision-makers greater insight into the subject in order to support decisions on the strategic use of video in development. As such, it draws extensively on practical experiences to illustrate the potential of this powerful communication tool for development." (Introduction, page 1)
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"Story Circle is the first collection ever devoted to a comprehensive international study of the digital storytelling movement, exploring subjects of central importance on the emergent and ever-shifting digital landscape. It covers consumer-generated content, memory grids, the digital storytelling y
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outh movement, participatory public history, audience reception, videoblogging and microdocumentary. It pinpoints who is telling what stories where, on what terms, and what they look and sound like. And it explores the boundaries of digital storytelling from China and Brazil to Western Europe and Australia." (Publisher description)
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"In August 2007, the Government of Tanzania committed to doubling the number of training places for skilled midwives following a five-year campaign by the White Ribbon Alliance for Safe Motherhood in Tanzania (WRATZ), which culminated in the first television screening of a participatory film, ‘Pla
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y Your Part’. With contributions from a range of health professionals, communities, a pop singer, and the Minister of Health, the message was that everyone at every level has a part to play in saving mothers’ lives. WRATZ was successful because it was able to champion its message in a way that provides a model for advocacy, combining the reactive creativity of journalism and the methodological rigour of participatory video that to bring about a tangible impact." (Abstract)
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"This ethnographic study of a participatory video workshop conducted with rural women in Fiji observed how communities engage with processes of production for empowerment, and the implications for dialogue, community building, and representation within Fiji’s fragmented multicultural society. The
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study found that rural women in Fiji integrate local norms and practices in the production of programme content, and use social capital – their relationships and social networks – as a key element in video production to highlight community needs and linkages. The content produced by the women gave significance to women’s work, their abilities, their skills, and their potential as income producers, as well as their empowering networks." (Abstract)
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