"Results from a photovoice study with 13 Lakota women found that there were numerous barriers (e.g., finding stable housing, finding a job) to reintegration following incarceration and that trauma, grief, and loss were identified as prominent challenges throughout attempts at reintegration. Despite
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tremendous aversities, Lakota women identified their ability to connect with people, nature, and culture as key sources of their strength and resilience. This research highlights the urgent need for comprehensive, culturally grounded, strengths-focused initiatives as well as structural policy change that will support Lakota and other Indigenous women’s reintegration into their communities." (Abstract)
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"Most women exiting prison face profound disadvantages and are likely to struggle with poor mental and physical health. Rarely are women furnished with the resources needed to flourish post-release, and seemingly simple-sounding tasks like getting formal identification are quite complicated. The con
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tributions of lived experience to human service delivery and research are incredibly valuable, yet the ability to contribute meaningfully to interventions is rarely afforded to formerly incarcerated women. Our project seeks to address this gap through the co-design of a chatbot, called LindaBot. In this article, we discuss the method and methodology we used when working with formerly incarcerated women to ideate, design, develop, and test a technology-based solution to support their transition out of prison." (Abstract)
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"Este libro reúne un conjunto de investigaciones que desde diferentes perspectivas, problemáticas y objetos de estudio hacen uso de la oralidad para la escritura de la historia. Es fruto del trabajo realizado en el XV Encuentro Nacional y IX Congreso Internacional de Historia Oral. Pasado, present
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e y futuro de la historia oral en Argentina y América Latina, llevado a cabo en la ciudad de Mar del Plata en agosto de 2023. Aunados por la valoración del testimonio como una puerta de entrada privilegiada para la reconstrucción de relatos del pasado, los trabajos aquí compilados dan cuenta de la pluralidad de abordajes que la historia oral integra en la actualidad. Así, esta obra ilustra los principales aportes al desarrollo del campo a través de experiencias, proyectos e investigaciones en curso tanto en Argentina como en Latinoamérica." (Descripción de la casa editorial)
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"[...] El acercamiento a los familiares de las Personas Privadas de la Libertad (PPL) resulta primordial para obtener una comprensión integral de la realidad en el interior de los centros carcelarios del país. Sin embargo, es importante destacar que el ejercicio de visibilizar sus voces demanda em
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patía y sensibilidad social, sobre todo en un momento en el que se ha generado desconfianza en la prensa. De acuerdo con Bessy Granja, “tienen miedo y decepción porque al final siempre nos enfocamos en que en las cárceles se matan entre todos”.
Hay que recordar siempre que tanto los funcionarios, como los familiares de los PPL y los mismos PPL son fuentes. Es decir, que el vínculo que se establece con ellos debe ser el de periodista y fuente y no más allá de eso. La relación debe mantenerse siempre en el marco de lo profesional y los periodistas debemos ser siempre transparentes sobre nuestras intenciones y objetivos para comunicarnos con ellos. De este modo, estaremos protegiendo nuestra integridad y trabajo.
Es importante que los y las periodistas se replanteen la manera en la que se realiza el acercamiento con los familiares de las PPL, generando espacios seguros en que los testimonios, desde la empatía y la sensibilidad. De acuerdo con Granja, muchos de los familiares no confían en la prensa porque sienten que la forma en la que han sido retratados ellos y sus seres queridos que están dentro de prisión ha sido revictimizante o estigmatizante.
Dar protagonismo a las PPL, de igual forma que se consideran a las fuentes oficiales. Para Noroña, “que ellas y ellos hablen en las historias es fundamental. Que esas voces sean visibilizadas permite humanizar y tener una perspectiva de primera mano, porque permite romper con el imaginario social”.
Cuando se muestran historias de PPL y sus familias, hacerlo desde el respeto. Esto aplica no solo para las historias en texto, sino también para el contenido fotográfico, audiovisual y multimedia que generen los periodistas. En el caso de que una fuente solicite el anonimato, esto debe respetarse, no solamente guardando la identidad de la fuente, sino que en el caso de retratos y video, ocultando el rostro o cualquier rasgo identificable de esa persona. Asimismo, se recomienda que los titulares y la información que se maneje no sea sensacionalista o amarillista, que se respete el dolor de los protagonistas buscando no revictimizarlos y que la información esté libre de estigmas y prejuicios.
Contar historias en positivo, para comenzar a humanizar. Por ejemplo, narrar sobre las personas que están tratando de cambiar las realidades desde adentro de las prisiones." (Conclusiones y recomendaciones generales)
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"The Bloomsbury Handbook of Radio presents exciting new research on radio and audio, including broadcasting and podcasting. Since the birth of radio studies as a distinct subject in the 1990s, it has matured into a second wave of inquiry and scholarship. As broadcast radio has partly given way to po
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dcasting and as community initiatives have pioneered more diverse and innovative approaches so scholars have embarked on new areas of inquiry. Divided into seven sections, the Handbook covers: communities; entertainment; democracy; emotions; listening; studying radio; futures." (Publisher description)
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"Rights advocacy has become a prominent facet of South Korea’s increasingly transnational motion picture output, especially following the 1998 presidential inauguration of Kim Dae-jung, a former political prisoner and victim of human rights abuses who received the Nobel Peace Prize in 2000. Today
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it is not unusual to see a big-budget production about the pursuit of social justice or the protection of civil liberties contending for the top spot at the box office. With that cultural shift has come a diversification of film subjects, which range from undocumented workers’ rights to the sexual harassment experienced by women to high-school bullying to the struggles among people with disabilities to gain inclusion within a society that has transformed significantly since winning democratic freedoms three decades ago. Combining in-depth textual analyses of films such as Bleak Night, Okja, Planet of Snail, Repatriation, and Silenced with broader historical contextualization, Movie Minorities offers the first English-language study of South Korean cinema’s role in helping to galvanize activist social movements across several identity-based categories." (Publisher description)
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"This article engages with the history of Swedish prison papers, situating them as alternative media within the broader media landscape shaped by the emergence and dismantling of the welfare state. The article not only aims to give a descriptive account of the history of Swedish prison papers but al
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so builds and further develops theorizations of alternative media by constructing them not in opposition to established media but as in dialogue and exchange with them. As we show, prison papers have had repercussions for mainstream discourses beyond catering to niche audiences. Therefore, we suggest that alternative media should be understood as part of the broader media landscape rather than being situated outside of it. This also has implications for how we conceptualize newly emerging alternative media, also called alt-media, that are not progressive but populist and right-wing oriented, as well as supportive of conspiracy theories." (Abstract)
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"Women and girls make up only a small percentage of the overall prison population; however, there has been a significant increase in their representation, most notably over the past twenty years. Despite this, fundamental understandings of the role of prisons, as well as issues around recidivism and
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desistance are based on a male norm, failing to meet the needs of women affected by the criminal justice system. This article outlines the findings from an ongoing grassroots action research project conducted with a support group for women of lived prison experience, based in Adelaide, South Australia, to investigate radio production as a means for supporting women in their transition to life outside of prison. It draws on observations made over a two-year period of radio production and thematic content analysis to investigate the role of community radio as a tool of desistance for formerly incarcerated women." (Abstract)
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"This publication demonstrates that prison libraries have many different advantages. The most obvious ones are connected to educational benefits, such as providing access to educational reading materials and information, including legal information, supporting formal education and achieving educatio
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nal qualifications, and improving literacy levels and normalizing a culture of reading. Then there is the benefit of pleasure reading as a calming and constructive way of passing free time, reducing boredom and offering solace, generating a feeling of normalcy in a closed environment, and as a means of distraction and escaping daily worries. Prison libraries also support social cohesion, acting as meeting places with a calm, relaxed and safe atmosphere, as well as being spaces for debates and events and offering cultural entertainment [...] Using the services of the prison library is one of the very few opportunities where inmates have the autonomy and responsibility to make their own choices by selecting what to read and get informed about. The prison library supports prisoners in reflecting on their current situation and in planning for their life once released. It is also one of the few places where prisoners can feel relaxed and be confident that their requests will be attended to. Prison libraries provide a window to the world. By working closely with organizations outside the prison environment, they provide a bridge to culture, events and services beyond the prison walls. Taking security issues into account, inmates deserve the same library services available to citizens living in freedom." (Conclusion and policy directions, page 42-43)
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"Radio produced and broadcast behind prison walls is redefining traditional meanings of 'public service broadcasting' and disrupting traditional power structures within the prison system. Focusing on one of the most interesting developments in UK prisons over the past 10 years, this book examines th
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e early history of the Prison Radio Association and the formation of the first national radio station for prisoners. Highlighting the enduring importance of social values in broadcasting, this book shows how radio can be used as a powerful force for social change. It will be of interest to those involved in media, criminal justice and social activism." (Back cover)
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"[This book] reflects on the extent to which films can play an active role in denouncing human rights abuses and exposing the struggle for visibility of different social movements and minorities. This collection explores Latin American cinema’s representations of human rights violators and oppress
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ed subjects and groups. In so doing, it aims to assess the long overdue relation between cinema and human rights in the region, thus opening new avenues to understanding cinema’s role in social transformation. In effect, the chapters relate to at least one of these three main themes: human rights, social movements and activism. They seek to demonstrate the various ways they have been depicted in contemporary Latin American films, especially in the twenty-first century. Together, the chapters reinforce the importance of examining the ways in which contemporary Latin American cinema has explored human rights issues, while offering new perspectives to the study of (trans)national and world cinemas. Moreover, they explore the main themes and concepts covered in the volume in order to reveal the different aesthetic, political, social and historical representations of human rights in cinema." (Introduction, page 2)
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"El cine de cárceles ha desarrollado un lenguaje propio, casi como si de un género se tratase. Y lo ha hecho para presentarse ante la audiencia con muy diferentes intenciones: desde denunciar un sistema penal con serias imperfecciones a relatar historias de superación, pasando por descubrir injus
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ticias e implicarnos en trepidantes fugas. Pero ya sea con la intención de emocionarnos, sobrecogernos o incluso hacernos reír, cada vez que una cámara se ha colocado al otro lado de las rejas lo ha hecho para recordarnos el valor de un bien no siempre del todo apreciado: nuestra propia libertad." (Cubierta del libro)
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"Journalists continue to face imprisonment for practicing their profession in ways that antagonize regimes, militaries, oligarchs, and other powerful interests. What do journalists do after their release from prison? Do they resume their professional work in their home country or in exile? How do th
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ey cope psychologically? And how does the prison experience reshape their approach to journalism and views on the journalistic mission? To help answer those questions, I interviewed eight journalists who’d been jailed for periods of two weeks to more than two years by some of the world’s most repressitarian regimes—Azerbaijan, Cameroon, Ethiopia, Eritrea, Iran, the Soviet Union, and Syria. Each journalist has a unique tale to tell, but common threads emerge from their interviews." (Abstract)
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"This article outlines the findings from the first stage of a grassroots action research project conducted with a support group for women of lived prison experience, based in Adelaide, South Australia, to investigate radio production as a means for supporting women in their transition to life outsid
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e of prison. The research found that empowerment manifested itself in a number of distinct ways, through both processes and the products of the project. Through the production of radio, women of prison experience recognised their own expertise and took ownership of their stories, while the radio products educated the wider public and validated the participants’ experiences." (Abstract)
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"Six years after its initial publication, Applied Theatre returns with a second edition. As the first book to assist practitioners and students to develop critical frameworks for implementing their own theatrical projects, it served as a vital addition to this area of growing interest, winning the D
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istinguished Book of the Year award from the American Alliance for Theatre and Education. Editors Monica Prendergast and Juliana Saxton have updated the book to reflect shifts in practice over the last few years in the world of applied theatre. Drawing on their backgrounds in drama education and pedagogy, the co-editors offer introductory chapters and dozens of case studies on applied theatre projects around the globe. This new edition of Applied Theatre will encourage students and practitioners to acquire a deeper understanding of the field and its best practices." (Publisher description)
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"Este livro reúne experiências e reflexões de académicos e não académicos sobre as potencialidades dos media para envolver e capacitar comunidades. Ao longo destas páginas, encontram-se textos que documentam propostas educativas e cívicas em torno dos media ou refletem sobre as capacidades d
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os media para trabalhar no seio das comunidades, incluindo as esferas da infância/juventude e/ou dos adultos e seniores. As metodologias participativas têm uma grande tradição em países da América Latina, de África e da Ásia e estão agora a ser mais usadas na Europa, particularmente, em Portugal. Esta inspiração reflete-se nas diferentes geografias que podem ser encontradas nesta obra, desde Reino Unido, Alemanha ou Brasil, até ao Quénia. Este livro está dividido em quatro partes. Uma primeira foca-se no projeto que deu mote ao livro, o RadioActive Europe, dando conta das suas práticas em Portugal e noutros países europeus. De seguida, juntamos experiências comunitárias e participativas nacionais e internacionais e, por fim, expomos vários caminhos de reflexão em torno da literacia e dos media." (Sinopse)
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"Prison radio is a particularly valuable contribution to the investigation of opportunities for social activism and the potential of radio for social change, able to support prisoners through their sentences and contribute to reducing re-offending. This study is the first to document the growth of U
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K prison radio, focusing on the accounts of the people involved in the formation of the Prison Radio Association (PRA). Established in 2006, the PRA was the first organisation of its kind internationally. Initially set up to network and support individual prison radio projects, it has now grown to the extent of creating and managing the world's first National Prison Radio service. This research outlines the process through which relatively small-scale media activism, based on prisoners' rights, came to be an intrinsic part of prison culture, playing a central role in institutional operations. It considers prison radio growth within the context of the economic reworking of broadcasting, prisons, and social activism in post-Thatcher Britain, acknowledging the emergence of the PRA as both a product of New Labour technologies of governance and of the counter-discursive opportunities they p6roduced. Against a backdrop of public service privatisation and media commercialisation, the development of the PRA illustrates the complex processes of working in partnership with institutions and agencies to develop a prisoner-led service. It is a story which highlights the enduring importance of social values in broadcasting, represents new opportunities for social activism, and presents radio as a powerful force for social change." (Abstract)
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