"The study examines Global Times’ strategic narratives on the Russia-Ukraine War (2022–2024) by analysing 301 articles through issue, identity and systemic frameworks. It reveals China’s framing of the conflict as a US-Russia proxy war, positioning itself as a neutral mediator advocating multi
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lateral dialogue while critiquing Western hegemony. The narratives portray Russia as a rational actor defending sovereignty, Ukraine as weakened yet reckless, and Europe-EU as internally fractured. Systemically, China projects a multipolar vision, blending realist power dynamics with idealist peace-building. The findings underscore China’s media diplomacy in contesting Western discourse and advancing its global governance agenda." (Abstract)
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"Inhaltsanalysen über die Darstellung von Konflikten in den Medien werden häufig durchgeführt, um den Vorwurf der Einseitigkeit empirisch zu überprüfen. Dies wirft die normative Frage auf, wie die Forderung nach einer ausgewogenen Bewertung, d. h. einer Gleichverteilung positiver und negativer
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Bewertungen zwischen Kontrahenten, als Qualitätsmaßstab rechtfertigt werden kann und wie dies fallbezogen, d. h. kontextabhängig geschehen muss. Diese Frage wird am Beispiel von Inhaltsanalysen zum russischen Angriffskrieg gegen die Ukraine diskutiert. In einer qualitativen Metastudie von 22 Inhaltsanalysen wurden zunächst induktiv acht Annahmen zur Rechtfertigung der Anwendung des Maßstabs für diesen Fall ermittelt. Vier davon beziehen sich auf das Verhältnis der Medien zu ihrer Umwelt: zur journalistischen Profession, der Medien untereinander sowie zum Publikum und zur Politik. Vier weitere Begründungen sind vom Verhältnis der Medien zum Krieg als Thema abgeleitet: zum normativ „richtigen“ und „falschen“ Handeln der Kontrahenten, zur Antizipation negativer Folgen, zum Framing des Kriegs als Machtkonflikt (statt als Konflikt um Werte) und aus der Position des Werterelativismus. Die Forderung nach einer ausgewogenen Bewertung war in den Studien häufig mit der Kritik an einer angeblich zu negativen Sicht der russischen Seite verknüpft. Die Diskussion der Fundstellen zeigt, dass die Argumente zur Rechtfertigung einer ausgewogenen Bewertung für den vorliegenden Fall nur begrenzt oder gar nicht tauglich sind. Damit kann die Studie zeigen, dass das Problem der „False Balance“nicht nur im Bereich des Wissens, sondern auch des Wertens zu finden ist. Außerdem ist „False Balance“ damit nicht nur ein Phänomen im Journalismus, sondern auch in der Wissenschaft." (Abstract)
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"A Saudi-led coalition of states initiated an on-going-armed conflict in Yemen on 26 March 2015. Meanwhile, Russia invaded Ukraine on 24 February 2022. Though no two armed conflicts are exactly alike, there is reason to compare US media coverage of the two because: (1) civilians have been victims of
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both conflicts; (2) both conflicts have undermined food security; (3) the US has provided military support to a party to each of the conflicts; and (4) the conflict in Yemen is in the Global South whereas the conflict in Ukraine is in the Global North. This article comparatively analyses US media coverage of the conflicts in Yemen and Ukraine, via New York Times headlines, by documenting the number of stories and their placement; assessing the types of media frames used; reviewing headlines for attribution of responsibility; and conducting a content analysis to identify the descriptive and normative terminology used. We find extensive biases in coverage and framing, rooted in peripheralism, culturalism and differential geopolitical US positioning. This results in reduced coverage of the war in Yemen, shielded in neutral language and lacking responsibility attribution—serving to devalue the suffering of victims and condemning the crisis to be functionally forgotten." (Abstract)
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"Western, especially British interventions in Afghanistan, parallel the long history of photography. This article examines the resulting archive and considers its ongoing influence on the traditions of conflict photography through the concept of the ‘Feedback Loop’ coined by photographer Tim Het
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herington. Hetherington’s work is used as a departure point for an examination of the archival legacy of the male-gendered western gaze in ongoing western incursions. It focusses on Hetherington and contemporary practitioners to position and understand a repetitive cycle of photographic witnessing informed by the archive. Its perspective is on western traditions in the context of picturing Afghanistan and explores what underpins such traditions and how contemporary practitioners are rethinking, rememorizing and now restaging Afghanistan as a site of post-imperial ‘conflict’. It argues that what Hetherington identified as a ‘feedback loop’ is part of a much older tradition of picturing conflict and the combatants at its heart." (Abstract)
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"The Rwandan genocide is the second most audio-visually recreated genocide after the Holocaust, with approximately 200 films and documentaries produced in 39 countries between 1994 and 2021. Historical Media Memories of the Rwandan Genocide studies the construction, the development, and the recreati
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on of the transnational historical media memory of the genocide against the Tutsis in Rwanda in 1994. This is the first comprehensive work that traces the international media image and the creation of historical memories of the Rwandan genocide, starting with the day to day television news reporting in 1994, and continuing with analyzes of how the genocide has been used and recreated in film and documentaries on a global level as well on a national level, where Rwanda, as a nation, creates its own images of the genocide in film and television production in order to support a new national identity." (Publisher description)
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"Rita Kohlmaier stellt 30 Kriegsberichterstatterinnen und -fotografinnen aus verschiedenen Ländern stellvertretend für den ganzen Berufstand vor. Sie bezahlten oftmals einen hohen Preis: psychische Belastungen, Entfernung von ihren Familien, ständige Unsicherheit. Einige starben bei einem ihrer E
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insätze, wie die Fotojournalistin Anja Niedringhaus oder die amerikanische Kriegsberichterstatterin Dickey Chapelle. Andere wurden ermordet, wie die russische Journalistin Anna Politkowskaja. Ihre Zeugnisse bleiben wichtige Zugänge zum Zeitgeschehen, und ihre Leistungen werden durch internationale Preise gewürdigt. Einzelne ziehen sich, wie Lee Miller nach ihrer umfassenden Dokumentation der letzten Monate des Zweiten Weltkriegs, ins Private zurück und sprechen nicht mehr über das Erlebte. Andere wiederum widmen sich ihr ganzes Leben öffentlich der Frage, wieso Menschen Krieg führen und zu den dokumentierten Gräueltaten fähig sind. Gemeinsam sei ihnen das Bestreben, Mitgefühl für die betroffene Zivilgesellschaft zu wecken, nicht zuletzt, um ihr Publikum zu einem Umdenken zu bewegen und einen Weg zum Frieden vorzubereiten." (Verlagsbeschreibung)
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"Reporting on the ongoing Israeli-Palestinian conflict poses a significant risk to the physical safety of journalists and other media professionals. At times of heightened conflict between the two sides, the magnitude of the risks journalists face increases exponentially. Journalists reporting from
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Gaza are particularly at risk from military attacks by the Israeli Defense Forces. In this article, I examine the practices of international news reporters during the 2014 Israeli assault on Gaza. The data for the study comprise interviews with journalists and photographers who reported the war from Gaza. Particular attention is paid to the risks journalists faced during the war, as well as the measures employed to mitigate them. Such practices can be conceived as a form of resistance and resilience in an era of asymmetric war, which has seen risks to journalists increasing significantly." (Abstract)
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"This volume aims to deepen understanding of the dynamic intersections of war and media in the rapidly transforming media ecology and the reordered geopolitical context. The volume examines the ways in which the digital media and communication environment is involved in and shape the war in Ukraine.
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The chapters in the volume analyse expanding mesh of media-from mainstream broadcasting and press to social media platforms, and the latest digital technologies and addresses four key themes: media infrastructures and the interplay between platforms, technologies, institutions and civic actors; open-source intelligence contributing to (dis)information about the war; the everyday life of war performed and documented on social media; and different interplays between the local and the global in the news coverage of the war." (Publisher description)
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"We conducted interviews with conflict journalists who covered the conflicts in Syria, Yemen, Libya, and Iraq and who work for the major international news agencies and media companies. These journalists did most of their reporting from remote locations as the conflict zones were too dangerous to be
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physically present. We investigated how the journalist did their jobs with the communicative affordances of digital tools and how digital trust-building occurred. The trust-building process between journalists and sources shifted across platforms and according to the technologies’ communicative affordances. We established that reporters had embraced the flow of news material on social media platforms as a valuable source of information, but after exercising extreme caution. Journalists upheld the boundaries that separated them from amateurs by emphasizing their role in making sense of events. They also fortified their gatekeeping role through verifying and vetting information – a task needed to maintain credibility and protect readers and viewers from misinformation and propaganda. Encrypted messaging applications such as WhatsApp played a major role in speeding up communication with and protecting potential sources and verification." (Abstract)
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"Maidan, Krim und Russland bilden 2014 einen Fokus der Berichterstattung, als Proteste v. a. in Kiew in eine Staatskrise münden und die Halbinsel Krim von Russland annektiert wird. Diese einschneidenden Ereignisse werden von Medien eingeordnet und in Sinnzusammenhänge eingebettet. Die vorliegende
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Medien-Frame-Analyse untersucht das Bild, das seinerzeit in den kommentierenden Texten der reichweitenstärksten deutschen Printmedien geprägt wurde. Sie begreift Meinung als über den Begriff des Frames in den Texten nachweisbar, den sie theoretisch daraus herleitet, wie Menschen mit (Eigen-)Kategorien die Welt verstehen und sortieren. Mit einer operationalisierbaren Definition des Begriffes Frame können so die Meinungsspektren nachgezeichnet werden." (Verlagsbeschreibung)
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"Although China's official position on the war has been that of neutrality-not aligning with the West against Russia and not directly supporting Russia's war in Ukraine-its communications about the war, in particular its propaganda via state media and Foreign Ministry spokespeople have carried a mor
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e pro-Russia stance. During the past two months of the Russia-Ukraine war, Chinese official messaging has echoed and reinforced Russia's position: 1.) by promoting shared narratives about the origins and culprits of the war, namely blaming NATO and the United States; 2.) by drawing disproportionally on Russian sources and footage of the war; and 3.) by under-reporting on Ukraine's perspectives. This pro-Russia leaning during the Ukraine crisis can be understood as part of a larger propaganda trajectory vis-à-vis Russia and the United States. Domestically, China's propaganda messaging in large part appears to resonate with public opinion. Internationally, however, Chinese propaganda about the war, especially communications by Foreign Ministry spokespeople, delude China's neutrality position and antagonize the West, while more integrating China into the Global South." (Page 1)
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"This study reviews patterns of domestic and international media reporting and the role of disinformation, misinformation, and media bias in the Tigray conflict, which has been raging since November 2020. Since its outbreak, the conflict has evolved through four broad phases. Throughout these phases
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, the conflict was characterised by egregious violations of international human rights law, international humanitarian law and international refugee law. To analyse the role of the media in the conflict, this study reviewed local and international media, conducted interviews with local and international journalists and analysts, and consulted secondary literature. Patterns of reporting by international and local media exhibited fairly significant levels of divergence in the issues that were selected for reporting and how they were reported during these four phases of the conflict." (Executive summary)
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"[This book] provides an overview of the key issues in global journalism today and traces how media systems have evolved over time in different world regions. Taking into account local context as well as technological change across media industries, the book offers an up-to-date, thorough overview o
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f media developments in all world regions embedded in their unique political, cultural and economic context. Covering theoretical foundations of global journalism, from the classic Four Theories of the Press to more nuanced media models, this text proposes a framework for studying world media systems. Contributed chapters cover a wide range of topics, including media freedom, global news cultures, professional ethics and responsibilities, and education of global journalists, as well as the role of technology and issues such as fake news, soft power and public diplomacy, foreign news reporting and international news flow." (Publisher description)
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"This article examines the ways in which cinematic film underscores the latency of structural violence in its visualization of peace, specifically through the juxtaposition of the life world of the two main protagonists in the Danish film A War (2016): Captain Claus Pedersen who serves as a Danish s
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oldier in Afghanistan and his wife Maria who takes care of the family in peaceful Denmark. The analysis centers on the internationally acclaimed film A War, directed by Thomas Lindholm, which received an Oscar nomination for Best Foreign Language film. In contrast to many other films about war in general and the Afghanistan war in particular, it intimately portrays how the young family struggles with the consequences of a war taking place in faraway country and right in the middle of their life." (Abstract)
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"Local fixers are becoming increasingly important for international media due to escalating security threats to international journalists, budget cuts within international media organizations, and the disappearance of long-stay correspondents. Local fixers give local color and context to news storie
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s, but their work in conflict regions is extremely dangerous. Making things worse, fixers are at the bottom of the international correspondence totem pole. This paper approaches the situation from the perspective of fixers using qualitative in-depth interviews made in northwestern Pakistan, whereby we see fixers’ problems in a wider context of post-colonial relationships. The role of Western international journalists is discussed within a cultural context of hegemony, primarily drawing on theories of Edward Said and Antonio Gramsci." (Abstract)
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"The book includes an extensive section on the echoes of Rwanda, which looks at the cases of Darfur, the Central African Republic, Myanmar, and South Sudan, while the impact of social media as a new actor is examined through chapters on social media use by the Islamic State and in Syria and in other
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contexts across the developing world. It also looks at the aftermath of the genocide: the shifting narrative of the genocide itself, the evolving debate over the role and impact of hate media in Rwanda, the challenge of digitizing archival records of the genocide, and the fostering of free and independent media in atrocity's wake. The volume also probes how journalists themselves confront mass atrocity and examines the preventive function of media through the use of advanced digital technology as well as radio programming in the Lake Chad Basin and the Democratic Republic of Congo." (Publisher description)
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"This ethnic conflict frame performs three functions when used by African journalists. The first is that it works to domesticate the conflict [in Darfur] by relying on already sedimented knowledge among African audiences about identity formation … The second function of this frame is based on know
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ing that the national media subfields in the three countries [i.e., Kenya, Rwanda, South Africa] have a nuanced understanding of ethnic identities. When asked about the role of ethnicity in Darfur, a Nigerian journalist responded, "It's a factor, religion is a factor as well. Religion shapes ethnicity" (interview with a journalist, Nigeria 2015).This approach alerts us that, as far as African journalists are concerned, ethnicity does not always have a path-deterministic relationship with violence, as some journalists in the Global North have sometimes suggested (Wahutu 2017b, 16-17). The third point is that this ethnic conflict frame works to create a sense of shared affinity between the victims and the audience in Kenya, South Africa and Rwanda while othering those framed as Arab/Muslim as being radically different. This explanation is one that was more present during my interviews with journalists. In both Kenya and South Africa, journalists often viewed as Sudan as not "real Africa." (Page 246)
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