"This paper demonstrates the extent to which the media and belonging in Africa are torn between competing and often conflicting claims of bounded and flexible ideas of culture and identity. It draws on studies of xenophobia in Cameroon and South Africa, inspired by the resilience of the politicizati
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on of culture and identity, to discuss the hierarchies and inequalities that underpin political, economic and social citizenship in Africa and the world over, and the role of the media in the production, enforcement and contestation of these hierarchies and inequalities. In any country with liberal democratic aspirations or pretensions, the media are expected to promote national citizenship and its emphasis on large-scale, assimilationist and territorially bounded belonging, while turning a blind eye to those who fall through the cracks as a result of racism and/or ethnicity. Little wonder that such an exclusionary articulation of citizenship is facing formidable challenges from its inherent contradictions and closures, and from an upsurge in the politics of recognition and representation by small-scale communities claiming autochthony at a historical juncture where the rhetoric espouses flexible mobility, postmodern flux and discontinuity." (Abstract)
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"Multicultural Comics: From Zap to Blue Beetle is the first comprehensive look at comic books by and about race and ethnicity. The thirteen essays tease out for the general reader the nuances of how such multicultural comics skillfully combine visual and verbal elements to tell richly compelling sto
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ries that gravitate around issues of race, ethnicity, gender, and sexuality within and outside the U.S. comic book industry. Among the explorations of mainstream and independent comic books are discussions of the work of Adrian Tomine, Grant Morrison, and Jessica Abel as well as Marv Wolfman and Gene Colan's The Tomb of Dracula; Native American Anishinaabe-related comics; mixed-media forms such as Kerry James Marshall's comic-book/community performance; DJ Spooky's visual remix of classic film; the role of comics in India; and race in the early Underground Comix movement. The collection includes a "one-stop shop" for multicultural comic book resources, such as archives, websites, and scholarly books. Each of the essays shows in a systematic, clear, and precise way how multicultural comic books work in and of themselves and also how they are interconnected with a worldwide tradition of comic-book storytelling." (Publisher description)
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"Welchen Einfluss haben Massenmedien auf die Einstellungen ihrer Leser gegenüber Migration, Migranten und deren Integration? Wie werden Migranten zum Gegenstand journalistischer Berichterstattung? Welchen Zugang haben sie ihrerseits zu deutschen Massenmedien? Können sie durch eigene Beiträge die
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öffentliche Meinung mitbestimmen? Welche Herausforderungen stellen sich für Journalisten und politische Bildung angesichts dieser Problematik? Diesen Fragen geht die vorliegende Aufsatzsammlung nach, die sich mit historischer Kontinuität von Argumentationsmustern, Stigmatisierungen in Mediendiskursen, der Stereotypisierung ausländischer Frauen, der Migrationsberichterstattung im "Spiegel", Fremdenfeindlichkeit und Bedrohungsszenarien der Rechtsextremen, der Darstellung des Islam und der Auseinandersetzung mit Islamismus und Terrorismus sowie der Berichterstattung über den Afghanistan-Konlikt beschäftigt. Ein abschließendes Kapitel stellt Beispiele aus den Niederlanden und Deutschland zum Thema Rassismus in den Medien und der politischen Bildung vor und untersucht den Zusammenhang von Migrationsberichterstattung, Medienpädagogik und politischer Bildung." (Abstract ifa-Bibliothek Stuttgart)
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"Media, Audiences, Effects teaches students how to evaluate media effects research and better understand the role media play in our everyday lives. This text introduces readers to more than 300 contemporary research studies focusing on twelve important topic areas, including television violence, gen
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der and ethnicity, sexuality and pornography, and advertising bans. It provides a framework for understanding how researchers study media effects and what mass communication theory and research tell us about the relationship between media and society." (Publisher description)
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"This thesis considers the role of the mainstream South African print media in perpetuating discrimination during the years of legalised racial discrimination – commonly known as apartheid – from when the Herenigde Nationale Party took power in May 1948 with an unprecedented 28-seat swing under
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the leadership of 74-year-old Dr Daniel F. Malan until it was replaced by the African National Congress, black-dominated unity government in April, 1994. Against an historical background, it focuses on the agenda and efforts of the mainstream metropolitan print media during the apartheid era, the build-up to the first nonracial elections, and the media’s role in the immediate post-apartheid era." (Abstract, page 5)
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"This paper is an analytical study and presentation of the Nightwatch column (Nocna kronika) that has been published weekly in the Slovenian Sunday paper Nedelo since the end of summer 1995. The author in the first place endeavors to present this phenomenon in the light of its chauvinist, macho and
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racist nature, and (possible as well as actual) the anti-political and extremist impact of the discourse communicated through this column. The ‘products’ of the Nightwatch column presented here are: foreigners, those from the south, Yugoslavia, Balkan creatures, being s with a half-roof over their heads, citizenship granted to foreigners, Bosnians, Muslims, Islam, refugees, sevdah, pedophiles, transvestites, girls, chicks, and women. Through the analysis of this rich material and particularly the characteristic ‘bar flies discourse’, the author exposes the inner workings of unprecedented dehumanization of those seen as “other” and different in Slovenia. He also proves that dreams about a racism-free Slovenia are the dreams of people who believe they are “innocent” and hence can indulge in comfortable pretense and ‘unknowingness’. The analysis of Nightwatch reveals numerous criminal dimensions of chauvinism, sexism, racism and radical intolerance in general. The author’s main interpretative point is directed towards antipolitical and criminal impacts of the Nightwatch discourse which should be taken extremely seriously as a direct incitement to more or less violent action against those who are seen as other and different." (Abstract)
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