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Hinduism and Communication
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Qissa and Popular Hindi Cinema
In: Storytelling in World Cinemas. Vol. 2: Contexts
London; New York: Wallflower Press (2013), pp. 183-194
"While acknowledging the contribution of the dominant Hindi Sanskritic narrative tradition to the shaping of popular Hindi cinema, this chapter aims to explore the alternative narrative streams that have governed storytelling in Hindi films, particularly the Perso-Arabic legacy of the qissa and dast
...
Storytelling in World Cinemas. Vol. 2: Contexts
London; New York: Wallflower Press (2013), x, 198 pp.
Clouds of Unknowing: Buddhism and Bhutanese Cinema
In: Storytelling in World Cinemas. Vol. 2: Contexts
London; New York: Wallflower Press (2013), pp. 157-171
"In this chapter, we have looked at how Buddhism and orality have been translated into film in Bhutan. We have argued, that cinema operates as a secondary oral medium, through the various rituals of production, distribution and consumption and, most significantly, at the level of story construction.
...
Storytelling in World Cinemas. Vol. 1: Forms
London; New York: Wallflower Press (2012), xi, 208 pp.
International Film Guide 2010: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 46th ed. (2010), 460 pp.
International Film Guide 2009: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 45th ed. (2009), 472 pp.
International Film Guide 2008: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 44th ed. (2008), 424 pp.
