"Comprehensive study of popular theater forms. Describes experiences of theater workshops in Cameroon and Zimbabwe, as well as development-oriented theater projects in Nicaragua, India Philippines, and Bangladesh. The main section examines four dance-based projects between 1982 and 1986 in which the author was involved as an "animator." "For anyone seeking an overview of the subject, Mlama's study is a valuable resource. Despite her personal involvement, she treats the subject in a detached manner and frequently refers to failures and problems as well." (E + Z, vol. 37, nr. 1, 1996, page 25)